Illustrated books -- Bibliography; Illustration of books; Printing -- History
Two other early Augsburg printers devoted themselves to illustrated
work, Johann Bamler and Anton Sorg. The former at first contented
himself with prefixing a full-page frontispiece to his books, as in the
_Summa_ of Johannes Friburgensis and _Die vier und zwanzig goldenen
Harfen_, both of 1472, and again in the picture of S. Gregory and Peter
the Deacon in the Dialogues of the former printed for the monastery of
SS. Ulrich and Afra, and that of the dying Empress in the _Historie von
den sieben weisen Meistern_ of the following year. In the _Belial_ of
1473 and _Plenarium_ of 1474 Bamler was content for most of the cuts to
borrow or copy from the editions of Zainer, but in the _Alexander der
Grosse_ of the former year and _Melusine_ and _Sieben Todsunden_ of the
latter he himself led the way with some excellent sets of woodcuts,
which were copied by others. Again, in _Das Buch der Natur_ of 1475 we
find a dozen specially designed full-page cuts, one to each book,
illustrating man, the spheres, beasts, birds, mermaids, serpents,
insects, etc.; in the _Chronica von allen Kaisern and Konigen_ of 1476
there are four large cuts, showing Christ in glory, the dream of the
Emperor Sigismund, the vision of S. Gregory at Mass, and S. Veronica
holding before her the cloth with the imprint of Christ's face. It was
perhaps in this same year that Bamler issued, without dating it, Jacob
Sprenger's _Die Rosenkranz Bruderschaft_, with two very striking cuts,
one of the offering of garlands to Our Lady, the other of Christ's
scourgers looking back mockingly as they leave Him. A dated edition
appeared in 1477. Another book of 1476 with a good set of cuts was the
romance of Apollonius, King of Tyre. In 1477 Bamler issued a _Buch der
Kunst_, which, like the _Buch der Natur_, went through several editions;
it must be noted, however, that there is no such contrast between Art
and Nature as the short title of this book might suggest, the full title
being _Buch der Kunst geistlich zu werden_. The illustrations for the
most part represent a soul in different situations, but there are also
many of Biblical subjects. The last book of Bamler's which need be
mentioned is the _Turken-Kreuzzuge_ of Rupertus de Sancto Remigio, which
has an effective frontispiece of the Pope preaching to the Crusaders and
some vigorous smaller cuts.
Public-domain text, read in full here on John Shaqi.
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