The last preliminary to be noticed is the slowness with which the
printer's ink hardens on the slab, and the rapidity with which it dries on
paper. While serviceable for hours in the former case, in the latter it
will be dry in a very few seconds. The drying or hardening of this oily
ink has nothing whatever to do with the loss of moisture in the ordinary
sense of the word, that is to say, of the loss of the contained water: it
is wholly due to oxidisation of the oil. An extremely thin oxidised film
soon forms on the surface of the layer on the slab, and this shields the
lower-lying portions of the layer from the air, and retards further
oxidisation. But paper is very unlike a polished slab; it is a fine felt,
full of minute interstices. When a printed period (.) is placed under the
microscope it looks like a drop of tar in the middle of a clean
bird's-nest. The ink is minutely divided among the interstices of the
paper, and a large surface being thereby exposed to the air, it oxidises
at once, while a print from the finger upon glass will not dry for two or
three days. One effect of oxidisation is to give a granulated appearance
to the ink on rollers which have been allowed to get dirty. This
granulation leaves clots on the slab which are fatal to good work:
whenever they are seen, the roller must be cleaned at once.
The best ink for finger printing is not the best for ordinary printing. It
is important to a commercial printer that his ink should dry rapidly on
the paper, and he does not want a particularly thin layer of it;
consequently, he prefers ink that contains various drying materials, such
as litharge, which easily part with their oxygen. In finger prints this
rapid drying is unnecessary, and the drying materials do harm by making
the ink too stiff. The most serviceable ink for our purpose is made of any
pure "drying" oil (or oil that oxidises rapidly), mixed with lampblack and
very little else. I get mine in small collapsible tubes, each holding
about a quarter of an ounce, from Messrs. Reeve & Sons, 113 Cheapside,
London, W.C. Some thousands of fingers may be printed from the contents of
one of these little tubes.
Let us now pass on to descriptions of printing apparatus. First, of that
in regular use at my anthropometric laboratory at South Kensington, which
has acted perfectly for three years; then of a similar but small apparatus
convenient to carry about or send abroad, and of temporary arrangements in
case any part of it may fail. Then lithographic printing will be noticed.
In all these cases some kind of printer's ink has to be used. Next, smoke
prints will be described, which at times are very serviceable; after this
the methods of water colours and aniline dyes; then casts of various
kinds; last of all, enlargements.
Public-domain text, read in full here on John Shaqi.
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