A slight film of oxidisation on the surface of the ink is a merit, not a
harm; it is cleaner to work with and gives a blacker print, because the
ink clings less tenaciously to the finger, consequently more of it is
transferred to the paper.
If a blackened plate becomes dry, and is re-inked without first being
cleaned, the new ink will rob the old of some of its oxygen and it will
become dry in a day or even less.
_Lithography._--Prints may be made on "transfer-paper," and thence
transferred to stone. It is better not to impress the fingers directly
upon the stone, as the print from the stone would be reversed as compared
with the original impression, and mistakes are likely to arise in
consequence. The print is re-reversed, or put right, by impressing the
fingers on transfer-paper. It might sometimes be desirable to obtain
rapidly a large number of impressions of the finger prints of a suspected
person. In this case lithography would be easier, quicker, and cheaper
than photography.
_Water Colours and Dyes._--The pads most commonly used with office stamps
are made of variously prepared gelatine, covered with fine silk to protect
the surface, and saturated with an aniline dye. If the surface be touched,
the finger is inked, and if the circumstances are all favourable, a good
print may be made, but there is much liability to blot. The pad remains
ready for use during many days without any attention, fresh ink being
added at long intervals. The advantage of a dye over an ordinary water
colour is, that it percolates the silk without any of its colour being
kept back; while a solution of lampblack or Indian ink, consisting of
particles of soot suspended in water, leaves all its black particles
behind when it is carefully filtered; only clear water then passes
through.
A serviceable pad may be made out of a few thicknesses of cloth or felt
with fine silk or cambric stretched over it. The ink should be of a slowly
drying sort, made, possibly, of ordinary ink, with the admixture of brown
sugar, honey, glycerine or the like, to bring it to a proper consistence.
Mr. Gilbert Thompson's results by this process have already been
mentioned. A similar process was employed for the Bengal finger prints by
Sir W. Herschel, who sent me the following account: "As to the printing
of the fingers themselves, no doubt practice makes perfect. But I took no
pains with my native officials, some dozen or so of whom learnt to do it
quite well enough for all practical purposes from Bengali written
instructions, and using nothing but a kind of lampblack ink made by the
native orderly for use with the office seal." A batch of these
impressions, which he was so good as to send me, are all clear, and in
most cases very good indeed. It would be easier to employ this method in a
very damp climate than in England, where a very thin layer of lampblack is
apt to dry too quickly on the fingers.
Public-domain text, read in full here on John Shaqi.
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