[Illustration: Etruscan.] [Illustration: Etruscan.] Among the antique jewels at the Bibliothèque Nationale at Paris are two fine specimens of Etruscan rings. One is of gold, on which is a scarabæus in cornelian; the stomach of the scarabæus is engraved hollow and represents a naked man holding a vase. The other is a gold ring found in a tomb at Etruria, of which the bezel, sculptured in relief, could not serve as a seal. The subject is a divinity combating with two spirits, a representation of the eastern idea of the struggles between the two principles of good and evil, such as are found on numerous cylinders that come from the borders of the Euphrates and the Tigris. This analogy between the religious ideas of the Etruscans and those of the most ancient monuments of the East is not astonishing when it is shown that the Etruscans, the ancient inhabitants of Italy, were originally from Asia. The following engraving represents an intaglio on a scarabæus ring, of fine workmanship, preserved in Vienna. At a meeting of the Archæological Institute (May 3, 1850) the Dowager Duchess of Cleveland exhibited a curious Roman ring of pure gold (weight 182 grains), of which an illustration is given in the Journal of the Institute (vol. vii. p. 190). ‘It was found, with other remains, at Pierse Bridge (AD TISAM), county of Durham, where the vestiges of a rectangular encampment may be distinctly traced. The hoop, wrought by the hammer, is joined by welding the extremities together; to this is attached an oval facet, the metal engraved in intaglio, the impress being two human heads _respectant_, probably male and female--the prototype of the numerous “love seals” of a later period. The device on the ring is somewhat effaced, but evidently represented two persons gazing at each other. This is not the first Roman example of the kind found in England. The device appears on a ring, apparently of that period, found on Stanmore Common in 1781. On the mediæval seals alluded to, the heads are usually accompanied by the motto “Love me, and I thee,” to which, also, a counterpart is found among relics of a more remote age. Galeotti, in his curious illustrations of the “Gemmæ Antiquæ Litteratæ,” in the collection of Ficoroni, gives an intaglio engraved with the words “Amo te, ama me.”’ [Illustration: Etruscan.] The following engravings represent: A ring in the Musée du Louvre, with a lion sculptured by a Greek artist, in an oriental cornelian; the reverse has an intaglio of a lion _couchant_. The second, from the Webb Collection, is that of an ancient Greek ring, of solid gold, with the representation of a comic mask in high relief. The other, a gold ring with a bearded mask, Roman, in the Waterton Collection at the South Kensington Museum--also in high relief--has the shoulders thickened with fillets, engraved with stars. [Illustration: Greek.] [Illustration: Greek.] [Illustration: Roman.]