[Illustration: French.] Mr. Fairholt mentions two characteristic specimens of modern French ring-work; one a signet ring, the face engraved with a coat of arms. At the sides two _Cupidons_ repose amidst scroll-work partaking of the taste of the _Rénaissance_. The same peculiarity influences the design of the second ring; here a central arch of five stones, in separate settings, are held by the heads and outstretched wings of _Chimæras_, whose breasts are also jewelled. Both are excellent designs. [Illustration: Modern French.] [Illustration: Moorish.] In the Londesborough Collection is a triplicate of Moorish rings, which will enable us to understand their peculiarities. One has a large circular face composed of a cluster of small bosses, set with five circular turquoises and four rubies; the centre being a turquoise, with a ruby and turquoise alternating round it. This ring is of silver. Another, of the same material, is set with an octangular bloodstone, with a circular turquoise on each side. There is, also, a silver signet ring, bearing the name of its original owner, engraved on a cornelian. [Illustration: Bavarian.] In the South Kensington Museum is a massive and heavy brass ring, with octagonal bezel armed with five projecting points, used as a weapon by peasants in Upper Bavaria from about the year 1700 to the present time. The Indians prefer rings with large floriated faces, spreading over three fingers like a shield. When made for the wealthy in massive gold, the flower leaves are of cut jewels, but the humbler classes, who equally love display, are content with them in cast silver. Such a ring is in the British Museum, where there are also two specimens of rings beside it such as are worn by the humbler classes. * * * * * A curious gold ring, bearing the impress a ‘merchant’s mark,’ was exhibited by Mr. Sully at a meeting of the Archæological Institute of November 1851. It was found at St. Anne’s Well, near Nottingham, and the date is about the time of Henry VI. From a representation in the ‘Journal’ the impress appears to be composed of the orb of sovereignty, surmounted by a cross, having two transverse bars, like a patriarchal cross. The extremities of the lower limbs terminate with the Arabic numerals, 2--0, the cipher being transversed by a diagonal stroke, as frequently written in early times. On one side of the hoop is seen the Virgin and Child, on the other the Crucifix; these were originally enamelled. Within is inscribed--=Mon Cur avez=. Weight 7 dwts. 21 grs. A brass signet-ring found in the Cathedral Close at Hereford, bears for impress a kind of merchant’s mark, a cross, with the lower extremity barbed like an arrow, between the initials G. M.--now in the possession of the Dean of Hereford.