A popular ballad of old, called the ‘Cruel Knight, or the Fortunate
Farmer’s Daughter,’ represents a knight passing a cot, and hearing that
the woman within is in childbirth. His knowledge in the occult sciences
informs him that the child to be born is destined to become his wife. He
endeavours to evade the decrees of fate, and, to avoid so ignoble an
alliance, by various attempts to destroy the child, but which are
defeated. At length, when grown to woman’s estate, he takes her to the
sea-side, intending to drown her but relents; at the same time, throwing a
ring into the sea, he commands her never to see his face again, on pain of
death, unless she can produce the ring. She afterwards becomes a cook in a
gentleman’s family, and finds the ring in a cod-fish as she is dressing it
for dinner. The marriage takes place, of course.
The monument to Lady Berry in Stepney Church bears:--paly of six on a
bend, three mullets (Elton) impaling a fish, and in the dexter chief point
an annulet between two bends wavy. This coat of arms, which exactly
corresponds with that borne by Ventris, of Cambridgeshire, has given rise
to the tradition that Lady Berry was the heroine of the above story. The
ballad lays the scene of the events in Yorkshire, but incidents of the
ring and the fish are, as I observed, numerous.[24]
The various arts employed by the ancients in ‘divination’ were many. The
annexed illustrations, representing divination rings, are taken from
Liceti, ‘Antiqua Schemata’ (_Gemmarium Annularium_); the two figures on
one ring are trying eagerly to discover future events in a crystal globe.
Crystallomancy included every variety of divination by means of
transparent bodies. These, polished and enchanted, signified their meaning
by certain marks and figures.
The serpent held by the female figure refers to _ophiomancy_, the art
which the ancients pretended to, of making predictions by serpents.
According to the _ophites_, who emanated from the Gnostics, the serpent
was instructed in all knowledge, and was the father and author of all the
sciences.
[Illustration: Divination ring.]
The hieroglyphic ring represents a sphinx, the monster described by the
poets as having a human face with the body of a bird or quadruped, the
paws of a lion, the tail of a dragon, &c. It was said to propose riddles
to those it met with, and destroyed those who could not answer them. Upon
this they consulted the oracle, to know what should be done. It answered
that they could not be delivered until they could solve this riddle: ‘What
creature is that which has four feet in the morning, two at noon, and
three towards night.’ Œdipus answered that it was a man, who, in his
infancy, crawled on all fours, until he was sufficiently strong to walk;
then went on two legs, until old age obliged him to use a staff to help
and support him. On this the monster is said to have dashed out its brains
against a rock.
[Illustration: Divination ring.]
Public-domain text, read in full here on John Shaqi.
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