For a man whose thirtieth year was still not far behind him, the
man's face was over careworn. It suggested that he felt life's
difficulties more keenly than a man should at that age. But it may
have been that this was a necessary part of the keenness with which
the whole of life appealed to him; its good things, as well as its
worries.
He rose from his writing-table and straightened his back with a
long sigh, clenching both hands tightly, and stretching both arms
over his shoulders, as he moved across the little room to its
window. The window gave him an extensive view of dully gleaming
roofs and chimney-pots, seen through driving sleet, towards the end
of a raw forenoon in February. The roofs he saw were those of one
of London's cheap suburbs; first, a block of "mansions" similar to
those in which his own flat was situated; then a rather superior
block, where the rents were much cheaper because they were called
"dwellings"; and beyond that, the huddled small houses of a quarter
with which no builder had interfered since early Victorian days.
[Illustration]
The man turned away from the dripping window, and looked round this
den in which he worked. Its walls were mostly covered by
book-shelves, but in the gaps between the shelves there were pictures; a
rather odd mixture of pictures, of men and women and dogs. The men
and women were mostly people who had written books, and the dogs
were without exception Irish Wolfhounds; those fine animals which
combine in themselves the fleetness of the greyhound, the strength
of the boarhound, and the picturesque, wiry shaggyness of the
deerhound; those animals whose history goes back to the beginning
of the Christian era; through all the storied ages in which they
were the friends and companions of kings and princes, great
chieftains and mighty hunters.
Public-domain text, read in full here on John Shaqi.
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