Fire-making Apparatus in the U. S. National Museum — John Shaqi
Fire-making Apparatus in the U. S. National MuseumHough, Walter
History
Fire-making Apparatus in the U. S. National Museum
Hough, Walter
Firemaking; Indians of North America -- Implements
This is a complete set (fig. 34) in first-rate order. The hearth has
central holes along a deep median groove. Its bottom is flat, and it is
rounded off on the sides and ends. All the parts are of pine wood,
decorated in places with red paint. The drill is quite long, much longer
than in any Eskimo set observed. It resembles more the Indian drill for
rubbing between the hands. The bow is of wood, which also is quite the
exception in other Eskimo regions, where it is of ivory. There are many
bows of antler from Norton Sound in the Museum, some of them skillfully
and truthfully engraved. The mouth-piece is plain; not very well made.
It is set with a square block of marble. It has the usual hole in one of
the wings for the passage of a thong.
[Illustration: Fig. 34. Fire-making Set (hearth showing median
groove).
(Cat. No. 33166, U. S. N. M. Eskimo of Norton Sound, Alaska.
Collected by E. W. Nelson.)]
[Illustration: Fig. 35. Lower Piece of Fire-making Set (hearth).
(Cat. No. 39601, U. S. N. M. Eskimo of Cape Vancouver, Alaska.
Collected by E. W. Nelson.)]
Cape Vancouver is represented by a fine old hearth. This object has
evidently been prized by its owner; it has had two rows of fire-holes
(fig. 35), one row bored on the step in front of the first holes made;
some of the holes are bored clear through. The reason why this was
valued is, because the wood is so tindery that it is easy to make fire
upon it.
Chalitmute, in the Kuskokwim region, on the northern side of the bay of
that name, opposite Nunivak Island, is the next locality southward, to
be considered. The parts of this set are exceptionally well-finished.
The hearth is (pl. LXXVIII, fig. 36) stepped. It has four holes prepared
for use; on one, fire has been made. The drill is unusually thick. The
mouth-piece has no teeth-grip, and there is no evidence that it was ever
held in the mouth. It is intended to be held in the hand. This
mouth-piece is set with an oval socket-stone of black obsidian, ground
down into facets and polished. The cord handles are fine, large teeth of
the sea lion. The centers of the circles so characteristic of Eskimo
art, are inlaid with wood. The holes for the drill cord are narrow; they
must have been dug through with a sharp, narrow instrument. As before
remarked, this is the region where the hand rest is more used than the
mouth-piece, and the bow is not used at all.
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