"How the red star hangs to the moon's white horn."
There was no answer, for his companion was awed to utter silence.
One day, Bunker Hill, a humped-back and unhappy woman of uncertain ways,
passed through the crowd in the Forks. Some of the rough men laughed and
made remarks. This boy was there also. Lifting his eyes to one of these
men at his side, he said:
"God has made some women a little plain, in order that he might have
some women that are wholly good."
These things began to be noised about. All things have their
culmination. Even the epizootic has one worst day. Things only go so
far. Rockets only rise so high, then they explode, and all is dark and
still.
The Judge stood straddled out before the roaring fire of the Howling
Wilderness one night, tilting up the tails of his coat with his two
hands which he had turned in behind him, as he stood there warming the
upper ends of his short legs, and listening to these questions and the
comments of the men. At last, he seemed to have an inspiration, and
tilting forward on his toes, and bringing his head very low down, and
his coat-tails very high up, he said, solemnly:
"Fellow-citizens, it's a poet."
Then bringing out his right hand, and reaching it high in the air, as he
poised on his right leg:
"In this glorious climate of Californy--"
"Be gad, it is!" cried an Irishman, jumping up, "a Bryan! A poet, a
rale, live, Lord O'Bryan."
And so the status of the strange boy was fixed at the Forks. He was
declared to be a poet, and was no more a wonder. Curiosity was
satisfied.
"It is something to know that it is no worse," growled a very practical
old man, as he held a pipe in his teeth and rubbed his tobacco between
his palms.
He spoke of it as if it had been a case of the small-pox, and as if he
was thinking how to best prevent the spread of the infection.
CHAPTER III.
THE FIRST WOMAN IN THE FORKS.
One day Limber Tim came up from the Howling Wilderness, all excitement:
all gyrations, and gimlets, and corkscrews. He twisted himself around a
sapling--this great, overgrown, six-foot boy without a beard--and
shouting down to his "pardner" in the mine, Old Sandy, who stood at the
bottom of the open claim, leaning on his pick, resting a moment, looking
into the bright bubbling water that burst laughing from the bank before
him, dreaming a bit in the freshness about him; and said, "Hallo! I say!
a widder's come to town. D'ye hear? A widder; one what's up and up, and
on the square."
Sandy only looked up, for he was getting old, and gray, and wrinkled.
Then he looked at the silver stream that ran from the bank and through
the rocks at his feet, and called to him in the pleasant, balmy sunset,
sweet with the smell of fir, and he did not disturb the water again with
his pick. It looked too pretty, laughed, and sparkled, and leapt, and
made him glad and yet sad.
A poet was this man Sandy, a painter, a sculptor, a mighty moralist; a
man who could not write his name.
Public-domain text, read in full here on John Shaqi.
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