There is a queer kind of family likeness between this scene and that of a village church, in some quiet nook of rural England. Old Sharmarkay, the squire, attended by his son, takes his place close to the pulpit; and although the _Honoratiores_ have no padded and cushioned pews, they comport themselves very much as if they had. Recognitions of the most distant description are allowed before the service commences: looking around is strictly forbidden during prayers; but all do not regard the prohibition, especially when a new moustache enters. Leaving the church, men shake hands, stand for a moment to exchange friendly gossip, or address a few words to the preacher, and then walk home to dinner. There are many salient points of difference. No bonnets appear in public: the squire, after prayers, gives alms to the poor, and departs escorted by two dozen matchlock-men, who perseveringly fire their shotted guns. FOOTNOTES [1] This style of profile--highly oval, with the chin and brow receding-- is very conspicuous in Eastern Africa, where the face, slightly prognathous, projects below the nose. [2] Gall-nuts form the base of the tattooing dye. It is worked in with a needle, when it becomes permanent: applied with a pen, it requires to be renewed about once a fortnight. [3] Mats are the staple manufacture in Eastern, as in many parts of Western, Africa. The material is sometimes Daum or other palm: there are, however, many plants in more common use; they are made of every variety in shape and colour, and are dyed red, black, and yellow,--madder from Tajurrah and alum being the matter principally used. [4] When woman addresses woman she always uses her voice. [5] The Tobe, or Abyssinian "Quarry," is the general garment of Africa from Zayla to Bornou. In the Somali country it is a cotton sheet eight cubits long, and two breadths sewn together. An article of various uses, like the Highland plaid, it is worn in many ways; sometimes the right arm is bared; in cold weather the whole person is muffled up, and in summer it is allowed to full below the waist. Generally it is passed behind the back, rests upon the left shoulder, is carried forward over the breast, surrounds the body, and ends hanging on the left shoulder, where it displays a gaudy silk fringe of red and yellow. This is the man's Tobe. The woman's dress is of similar material, but differently worn: the edges are knotted generally over the right, sometimes over the left shoulder; it is girdled round the waist, below which hangs a lappet, which in cold weather can be brought like a hood over the head. Though highly becoming, and picturesque as the Roman toga, the Somali Tobe is by no means the most decorous of dresses: women in the towns often prefer the Arab costume,--a short-sleeved robe extending to the knee, and a Futah or loin-cloth underneath. As regards the word Tobe, it signifies, in Arabic, a garment generally: the Somal call it "Maro," and the half Tobe a "Shukkah."