First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moral — John Shaqi
First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moralStimson, Frederic Jesup
General
First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moral
Stimson, Frederic Jesup
American fiction -- 19th century
This was all that happened on that ride--it was all that had ever
happened--but in it, Arthur Holyoke had made bold to ask his cousin to
become his wife; and she had bade him wait till evening for his answer;
and then they both had ridden home. A city groom would have seen
nothing of it all; yet these things had been done. A short probation,
you will say, until the evening only; and Arthur hardly thought of it
as such, but walked home briskly, hat in hand, castle-building; his
dark gray eyes turned inward, and the wind making free with his curly,
undecided-colored hair. For what probation was there more, after all
their lives had so far been together, than living on together, man and
wife? Not that she loved him then so much as he loved her--but that
was to be expected. She loved him more than he deserved, he knew; but
then, that is true of most pairs, and the men must needs not waste
their pity, but resign themselves, as it is the way of women. And
Arthur walked along the straight garden path that led from door to
highway in Judge Holyoke’s old place, switching off the prim asters
with his riding-cane. For his uncle’s house was built in the days of
gardens, not of lawns--can we not imagine the large contempt with
which the dwellers of a prairie would regard a barbered rood or two of
grass?--and the flowers were part of Gracie’s presence there, and she
of them.
Arthur was not too stout, but strong and graceful, almost Greek in
figure as in face; a strange, strong scion of that narrow-chested
clergyman-father, so stout in spirit, but so fragile in this world, who
had died and left him to his uncle’s care, the Judge. There are many
such: it seems our people (like some mute, inglorious poet) have had
their period of pale and interesting youth, and now are comfortably
stout and genial, in their easy-going middle age, the wasting spiritual
fires quelled: like a sometime tractarian clergyman, now optimistic
in a fat living. Arthur, however (not to carry the analogy too far),
was spiritual enough in his way, though not the orthodox; delicately
balanced, mobile, imaginative, Celtic more than Saxon, and rather Greek
than either. Nor could you truly say that his way wanted depth, unless
depth means sluggishness or stillness. Arthur was a New Englander, and
New England is in reality the essence of all things American, in germ
and future; and the people, the crowds, are already rather Greek than
English. Irreverent, fond of novelty and quick--in politics, if not in
art, they are Athenian. The public of Aristophanes is the public of the
American burlesque; of lions, fair ladies, lecturers; of advertised
politics, priests and prophets, of the mind-cure and of the secular
Sunday newspaper.
Public-domain text, read in full here on John Shaqi.
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