First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moral — John Shaqi
First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moralStimson, Frederic Jesup
General
First harvests : $b An episode in the life of Mrs. Levison Gower : A satire without a moral
Stimson, Frederic Jesup
American fiction -- 19th century
This tail-house, or receiving-house, was a favorite haunt of hers, on
half-holidays when her father would take her to the works, for a treat.
It was pleasant, on a warm day, to stand at the window of the iron
blower-house and watch the great fan whirl its four hundred revolutions
in a minute, and feel the rush of cool air in through the open windows;
but it was more interesting to sit in the tail-house and admire the
“runs” of oil--the quick naphtha, dry and shining, with its etherous,
heady fragrance, and then the duller, yellower oils, under which the
flow of mixed water went in globules of a dirty blue. Florence could
have told you as well as any workman when the naphtha-run had passed
and it was time to turn the oil into the tanks, and whether it were
Standard, Regular, or Water-White--the same discrimination that now
she exercises upon humanity. Then, when the black, pitchy residuum
began to show, she would get the superintendent to talk to her of the
aniline, and of the lovely colors which the nasty, black stuff would
make; and how the foul-smelling paraffine was made into chewing-gum
“for young misses.” Flossie never used chewing-gum; but later in life,
when standing before Transatlantic Titians, it had come over her with a
pang that she had once admired aniline dyes; cards of which, magentas,
sea-greens, mauves, the superintendent used to give to her, and she to
place upon her bureau.
Have you had enough of oil? There is no beauty, you say, not much
of truth, and many bad smells. One moment; before we turn away
let us glance into the spraying-house. This was always Flossie’s
_bonne-bouche_, and it shall be ours.
The spraying-tank is another great, round iron tower, rusted and dingy
like the rest; but inside--have you seen the Alhambra? When Flossie
first went into the Court of the Lions, passing in through the low gate
in the ugly brick tower, to the green pool and the plashing fountain,
and the sunlight streaming in from above upon the snowy columns of
rosy marble and the rainbow-hued arabesques of those fairy vistas, the
grouped columns changing, as she walked, like clusters of fair women
holding converse in a garden--her first thought was of this. A fathom
deep the oil lies in the central pool; and as we come in from the dark
passage the spraying-fountain bursts upon us like a vision of glory.
The great room would be dark, for there are no windows, but that an
iron slide, high up above, is drawn back a quadrant of the circle of
the wall; and through this a mighty shaft of sunlight pours downward
into the whirl of golden spray. Here is the fountain of gold of the
Arabian Nights.
Public-domain text, read in full here on John Shaqi.
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