Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
Gran’papa’s room was the pleasantest in the house—small, square and
cosy. The furniture was of some yellowish wood, glassy with polish, and
there was a chequered crimson tablecloth and, summer and winter, a
dancing yellow fire. The window was always open, and the fresh warmed
air smelt faintly of biscuits and tobacco and old bindings. The pictures
on the walls hung orderly, in couples, Landseer engravings and framed
coloured casts of trout; for Gran’papa was a fisherman. He was a fiddler
too, though here zeal outran discretion. His violin was wrapped away in
silk and velvet, like a lady, and Laura was never quite sure that it was
not, say—first cousin? to the fairy fiddle in _Grimm’s_. She longed to
experiment. There was the big desk with ink and seals and wax, and neat
papers innumerable, and a pot with marigolds or mignonette, and always
there was sunshine and the bad-tempered canary, that would dash at you
from its open cage, with peckings and shrill squeaks of jealous rage,
till Gran’papa whistled, when it would perch upon his finger or his
skull-cap, and slowly condense from a passionate puff-ball into an
elegant little gentleman in lemon yellow breeches and snuff-coloured
swallow-tails, with an eye so fixed and bright that you could swear it
wore a monocle.
A memory to bring a lump into a grandchild’s throat, the picture of
stern old Gran’papa, with his whole edifice of dignity built up so
solidly, from his square-toed boots and speckless broadcloth and his
grey satin tie with its pearl pin, to his curly beard and cold blue
eyes, and the unnecessary skull-cap upon his splendid white head,
fantastically topped by a scolding bull-canary. A grown-up Laura,
looking back, a long way back, might begin, belatedly, to miss a
half-forgotten Gran’papa, might wonder whether, after all, she had
sufficiently appreciated him, realize with a sigh that she had learned
in those young years to love him as sincerely and coldly and faithfully
as he had loved her; though ‘love’ was not a word that Laura could
imagine Gran’papa using, any more than she could hear him saying,
‘pretty girl’ when he meant, he emphatically meant, ‘an elegant young
female.’ Even ‘young woman’ would have been a concession for Gran’papa’s
nice ear. Just so, Laura’s phrase would have been tempered by Gran’papa
to ‘affection,’ ‘esteem,’ ‘respect.’ And there she would have agreed
with him again, for she certainly respected him profoundly. And he,
secretly, respected her, because in her he could recognize his own keen,
fastidious spirit. Emotionally, they were at opposite poles, but
intellectually they were allies with kindred tastes and kindred minds.
Not kindred souls—there they parted company; for where Laura’s affection
could invariably be trusted to blind her to the most obvious flaws, the
testing tool of her grandfather’s hypercritical taste had left him, at
the end of a long life, with no object worth loving at all—save Laura.
Public-domain text, read in full here on John Shaqi.
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