Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
Here for an instant her mind stood rigid for the old order. Then her
thoughts, like waters when the dam breaks, overwhelmed it, came rushing
and tumbling over each other, sweeping away the last remnants of
opposition.
And that was why—and that was why she was going up to the Priory that
very morning—up to his den—to smash up his old eggs! That would wake him
up! Smash up his old eggs—that would wake him up! That would wake him
up!...
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CHAPTER XXIX
We grow. We acquire. Do we change?
We talk of the formation of character, as if character were not already
triumphant in the infant that defies its father and seduces its
grandmother months before it can speak. We talk of character—but do we
not mean habit? Daily, weekly, yearly, we add to our habits, literally
our habits, our garments, the Joseph-coats of manner and custom, of
tolerance and caution and indifference, in which we clothe and conceal
ourselves, our unchanging, unchangeable selves, old as age, young as
youth, sexless, amoral, unconvinced by human logic, unbound by human
laws.
And for years we—I, with a hole in my stocking, and you, Collaborator,
incapable of any such thing, and Martha in the kitchen, and the Kaiser
at Potsdam, train up ourselves in the way we should go and criticize our
neighbours’ departure therefrom without a thought for our sleeping
partner, biding his time within us. But when his time comes, in
emergency, in crisis, then, as sure as you sit there knitting,
Collaborator, that original self wakes up, with a rending of garments,
and takes charge. But, when the occasion is over and it has sunk to
sleep again, it is we—our bewildered, protesting surface selves who have
to take the consequences. That explains, I imagine, why it is always the
most unlikely people who behave in the most incongruous way, and why
John Smith (condemn him or admire him as we may) remains the last person
we should have expected to murder his great-uncle or marry the princess,
or why Laura Valentine, who loved Justin more deeply than even his
mother did (I cannot put it higher) and had a fine sense of humour of
her own, should yet be setting out at ten o’clock of the morning of the
last Sunday in June, convinced that by the smashing of his birds’ eggs
she would save his soul alive, and that there was nothing ridiculous in
the situation.
Public-domain text, read in full here on John Shaqi.
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