First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
The minister of the church in the village of Salem, who had had
a bitter strife with a portion of his congregation, got up this
accusation of witchcraft, as a means of vengeance in which he was
both accuser and witness, prompting the answers of other witnesses
and acting as recorder to the magistrates, in which he was supported
throughout by Cotton Mather. Within less than two months twenty persons
were tried, condemned, and hanged, among them five women of blameless
lives, all declaring their innocence. A minister was hanged as a witch
for declaring that there could be no such thing as witchcraft, “an
opinion,” says Bancroft, that “wounded the self-love of the judges,
for it made them the accusers and judicial murderers of the innocent.”
Fifty-five persons were tortured or terrified into confession. “With
accusations,” continues the historian, “confessions increased, and
with confessions new accusations.” The jails were full. No one that
confessed after condemnation was hanged, but those who retracted after
confession were. A minister of the gospel is recorded as saying: “There
hang eight firebrands of hell!” pointing to the bodies swinging on the
gallows,[5] and the writer of a production which exposed the whole
proceeding to ridicule, and was chiefly instrumental in putting an
end to it, was denounced as “a coal from hell” by Cotton Mather, who,
through religious vanity, credulity, self-righteousness, ambition, or
all combined, while he ceased subsequently to repeat the statements or
accusations, unlike Sewall, made no acknowledgment thereafter of his
error.
This striking example of judicial conscientiousness on the part of
Sewall was not a single characteristic of this Puritan chief justice,
for in addition to being an able man, he was also a benevolent one,
whose warmest sympathies were with the down-trodden and oppressed. In
1700 he published a tract entitled “The Selling of Joseph,” in which
he advocated the rights of the slaves in the Colonies, and to that
extent may be regarded as one of the pioneers in this country in the
long struggle for negro emancipation. He was the author of several
publications upon religious subjects, and of one upon the Kennebec
Indians, but at the present day is chiefly known for a diary published
by the Massachusetts Historical Society that he kept during the larger
part of his life, which, in addition to being entertaining, sheds much
light upon the manners, habits, and social state of New England at that
period.
It may fairly be assumed that what he protested against did not take
place, for if the play had been acted in the Council Chamber some
account of it or reference to it would, in all probability, have come
down to us.
Public-domain text, read in full here on John Shaqi.
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