First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
Secretary Craggs, when a young man, in company with some of his
friends, went with Estcourt to Sir Godfrey Kneller’s, and whispered to
him that a gentleman present was able to give such a representation of
many among his most principal patrons as would occasion the greatest
surprise. Estcourt accordingly, at the artist’s earnest desire,
mimicked Lords Somers, Halifax, Godolphin, and others so exactly that
Kneller was delighted and laughed heartily at the imitation. Craggs
gave a signal as previously concerted, and Estcourt immediately
imitated Kneller himself, who cried out in a transport of ungovernable
conviction, “Nay, there you are out, man. By G----, that’s not me!”
In the colonial society, or “people of figure,” as they were then
called in New York, where so much depended upon manners, well-arranged
apparel and a flowing wig, a peruke maker was, at least in his own
estimation, a person of consequence, as appears from the manner in
which Mr. Heady is referred to in the paragraph that has been quoted,
and also from an announcement that appeared in the “New York Weekly
Post Boy” of March 5, 1750, about three weeks after the opening of the
Nassau Street Theater by Kean & Murray’s company, as mentioned in my
former paper, which announcement is as follows:
“This is to acquaint the public that there is lately arrived from
London the _Wonder_ of the _World, an honest Barber and Peruke
Maker_, who might have worked for the King if his Majesty would have
employed him; it was not for the want of money that he came here,
for he had enough of that at Home; nor for the want of Business that
he advertises himself; but to acquaint the gentlemen and ladies that
such a _Person is now in Town_ living near _Rosemary Lane_, where
Gentlemen and Ladies may be supplied with Goods as follows, viz.:
Tyes, Full Bottoms, Myers, Spencers, Fox-Tails, Ramilies, Tucks, Cut
kinds of head coverings and adornments, and bob Perukes; also Ladies’
Talemalongues and Towers, after the Manner that is now wore at Court.
By their humble and obedient Servant,
“JOHN STILL.”
The hibernicism that he did not put in the advertisement for the want
of business, nor to make money, of which he had plenty, but merely
to apprise the ladies and gentlemen that _such a person_ was then in
town, was, if genuine, an exhibition of enormous self-importance, or it
was what is more probable, a comic effort to attract attention to his
calling by one who was something of an adept in that way, who may have
been a member of the theatrical company that were then performing, and
who followed the three pursuits of a barber, a peruke maker, and an
actor.
It would appear that there was a second opening of a theater in New
York seven years afterwards. All that I know respecting it is that
there is a manuscript volume in the possession of Mr. William Nelson,
of Paterson, New Jersey, handsomely engrossed with ornamental
lettering, entitled:
POEMS
ON
SEVERAL OCCASIONS
BY
Public-domain text, read in full here on John Shaqi.
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