First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage. — John Shaqi
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
One of the principal characters in the novel is a young Virginian, Mr.
Effingham, who, after a visit and some stay at Oxford and in London,
has returned to the paternal home, Effingham Hall, in Virginia, and
whilst riding on horseback to visit a manorial estate on a plantation
known as Riverhead, of a gentleman called Lee, the father of two very
attractive daughters, draws up suddenly in the road, seeing a young
lady on horseback in the center of it apparently awaiting his approach,
who is thus described:
The lady was mounted on a tall white horse, which stood perfectly
quiet in the middle of the road, and seemed to be docility itself,
though the fiery eyes contradicted the first impression. Rather would
one acquainted with the singular character of horses have said that
this animal was subdued by the gentle hand of the rider, and so laid
aside, from pure affection, all his waywardness.
The rider was a young girl about eighteen, and of rare and
extraordinary beauty. Her hair--so much of it as was visible beneath
her hood--seemed to be dark chestnut, and her complexion was dazzling.
The eyes were large, full, and dark--instinct with fire and softness,
feminine modesty and collected firmness, the firmness, however,
predominating. But the lips were different. They were the lips of a
child--soft, guileless, tender, and confiding; they were purity and
innocence itself, and seemed to say that however much the brain might
become hard and worldly, the heart of this young woman never could be
other than the tender and delicately sensitive heart of a child.
She was clad in a riding-dress of pearl color, and from the uniformity
of this tint, it seemed to be a favorite with her. The hood was of
silk, and the delicately gloved hand held a little ivory-handled
riding-whip, which now dangled at her side. The other gloved hand
supported her cheek; and in this position the unknown lady calmly
awaited Mr. Effingham’s approach still nearer, though he was already
near touching her.
Mr. Effingham took off his hat and bowed with elegant courtesy. The
lady returned the inclination by a graceful movement of the head.
“Would you be kind enough to point out the road to the town of
Williamsburg, sir?” she said, in a calm and clear voice.
“With great pleasure, madam,” replied Mr. Effingham. “You have lost
your way?”
“Yes, sir, and very strangely; and as evening drew on I was afraid of
being benighted.”
“You have but to follow the road until you reach Effingham Hall,
madam,” he said,--“the house in the distance yonder; then turn to the
left, and you are in the highway to town.”
“Thanks, sir,” the young girl said, with another calm inclination of
her head, and she touched her horse with the whip.
“But cannot I accompany you?” asked Mr. Effingham, whose curiosity was
greatly aroused, and found his eyes, he knew not why, riveted to the
rare beauty of his companion’s face; “do you not need me as a guide?”
Public-domain text, read in full here on John Shaqi.
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