First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
Within, the play-house presented a somewhat more attractive
appearance. There was “box,” “pit,” and “gallery,” as in our own
day; and the relative prices were arranged in much the same manner.
The common mortals--gentlemen and ladies--were forced to occupy the
boxes raised slightly above the level of the stage and hemmed in by
velvet-cushioned railings--in front a flower-decorated panel extending
all around the house--and for this position they were moreover
compelled to pay an admission fee of seven shillings and sixpence. The
demigods--so to speak--occupied a more eligible portion in the “pit,”
from which they could procure a highly excellent view of the actors’
feet and ankles, just on a level with their noses; to conciliate the
demigods this superior advantage had been offered, and the price for
them was further still reduced to five shillings. But “the gods,” in
truth, were the real favorites of the manager. To attract them he
arranged the high upper “gallery” and left it untouched, unencumbered
by railing, velvet cushions, or any other device; all was free space
and liberal as the air; there were no troublesome seats for “the
gods,” and three shillings and ninepence all that the manager would
demand. The honor of their presence was enough.
From the boxes a stairway led down to the stage, and some rude scenes,
visible at the edges of the curtain, completed the outfit.
When Mr. Lee and his daughters entered the box, which had been
reserved for them next to the stage, the house was nearly full, and
the neatness of the edifice was lost sight of in the sea of brilliant
ladies’ faces and showy forms of cavaliers which extended, like a sea
of glittering foam, around the semicircle of the boxes. The pit was
occupied by well-dressed men of the lower class, as the times had it,
and from the gallery proceeded hoarse murmurs and the unforgotten
slang of London.
Many smiles and bows were interchanged between the parties in the
different boxes and the young gallants, following the fashion of
the day, gathered at each end of the stage, and often walked across,
to exchange some polite speech with the smiling dames in the boxes
nearest.
Mr. Champ Effingham was, upon the whole, much the most notable fop
present, and his elegant _petit maître_ air as he strutted across
the stage attracted many remarks, not invariably favorable. It
was observed, however, that when the Virginia-bred youths, with
honest plainness, called him “ridiculous,” the young ladies, their
companions, took Mr. Effingham’s part, and defended him with great
enthusiasm; but when they returned home he was more unmercifully
criticized than he would otherwise have been.
Public-domain text, read in full here on John Shaqi.
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