First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.Daly, Charles P. (Charles Patrick)
History
First Theater in America: When was the drama first introduced in America? An inquiry, including a consideration of the objections that have been made to the stage.
Daly, Charles P. (Charles Patrick)
Theater -- United States -- History
The licentiousness of the theater after the Restoration had become such
as to call for some leading mind to appeal to the body of the English
people, who were then, as they have always been, a strong race to
bestir themselves in the cause of public morality, and such a one was
found in the Rev. Jeremy Collier, a man of learning and ability, who,
in 1698, published what he called “A Short View of the Immorality and
Profanity of the English Stage, together with the Sense of Antiquity
upon this Argument,” which brought about a reformation as rapid as
it was thorough. About one half the book was devoted to the English
stage as it then existed, and its contrast with that of antiquity,
very much to the discredit of the former, and to those who were then
thought so highly of as comic dramatists. Collier was a fine classical
scholar, and so familiar with the Greek dramatists and with Terence
and Plautus among the Romans, as well as with all the leading comedies
produced after the Restoration, that he was able to compare these
comedies, passage by passage, with the Latin and Greek dramatists, and
thereby furnish unanswerable proof, not only of their inferiority, but
of the degraded character of the plays then produced on the English
stage, when compared with the productions of the Greek and Roman
dramatists. He showed in respect to the stage, in different chapters,
its immodesty, its profaneness, its ridicule of the clergy, and its
encouragement of immorality so completely that there was no replying to
it. Dryden, who was a leading playwright at the time, yielded at once,
not attempting to defend himself; on the contrary, he even thanked
Collier for his treatment of him, complaining only of his roughness.
Congreve undertook to reply, but it was a failure, and that he felt
that Collier was right appears in the fact that in a subsequent
edition of his plays he left out many offensive passages.
Collier’s strength lay in the truth of what he said about the condition
of the English stage at that time, and in the fact that he was a
learned man, which, in itself, inspired respect, and enabled him to
cope with any general scholar who should attempt to answer him. The
result was, that his book aroused the people, and the nation went with
him in effecting a reform that has lasted ever since.
Public-domain text, read in full here on John Shaqi.
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