Hallam’s company was far superior to any that preceded it. Mrs. Hallam was not only a beautiful woman, but she was an actress of no ordinary merit. Dunlap in his youth heard old ladies speak in raptures of her beauty, grace, and pathos. Hallam was himself an excellent comedian, and two other members of the company, Rigby and Malone, were actors of established reputation upon the London boards. The arrival of a complete company like this, who were not only practised in their art but amply provided before their departure with dresses, and all that was necessary for effective dramatic representation, was something too formidable to contend against. They seem, therefore, to have entirely supplanted the earlier pioneers, of whom nothing further is known except that some of their number, Murray, Tremaine, Scott, and Miss Osborne, played in Hallam’s original company afterward, when it was under the management of Douglass. After performing in New York for the winter, Hallam went with his company to Philadelphia in April, 1754, and from there to the West Indies, where he died. In 1758 the company returned to New York, under the management of Douglass, who had married Hallam’s widow. During the four years that they had been absent the theater remained unoccupied, and a short time before their arrival a congregation of German Calvinists had been formed, and being in want of a place of worship they purchased the theater in Nassau street for $1250, and fitted it up as a church, which they continued to occupy until 1765, when the building, which had not been a very substantial one, becoming decayed, they took it down and erected, upon the spot, another edifice, which was standing fifteen years ago, and was familiarly known as Gosling’s Eating House, Nos. 64 and 66 Nassau street. Finding that the theater had been converted into a church, Douglass built another one upon Cruger’s Wharf, a large pier, with houses upon it, which at that time extended from Pearl street into the East River, between Old and Coenties slips. In the following year, 1759, Douglass went to Philadelphia, where he erected a small theater, and from there to Annapolis, where he built a very fine one of brick, capable of accommodating between five and six hundred people, which he opened March 3, 1760. [Decorative Illustration] THE BEEKMAN STREET THEATER. In 1761 Douglass returned to New York, and abandoning the theater upon Cruger’s Wharf, erected one in Beekman street, a few doors below Nassau street. This was torn down in a riot in 1764. Three years after, the theater in John street, between Nassau street and Broadway, was built, which continued to be the principal one until the erection of the old Park Theater in 1797.[4] [Decorative Illustration] FOOTNOTES: