Fishes, Flowers, & Fire as Elements and Deities in the Phallic Faiths & Worship of the Ancient Religions of Greece, Babylon, Rome, India, &c.Anonymous
Religion
Fishes, Flowers, & Fire as Elements and Deities in the Phallic Faiths & Worship of the Ancient Religions of Greece, Babylon, Rome, India, &c.
Anonymous
Phallicism
"The _Padma_ and _Kamalata_ or _Granter-of-Desires_, or
'Consummator-of-our-Wishes,' are all terms applied to the lotus. It is the
symbol of Venus or Lakshmi, or of her incarnation--Krishna's wife, Padha,
who is commonly a nude Venus or Sakti. It is also called '_love's
creeper_,' the throne and ark of the gods, and the water-born one. One
author writes, that from far Thibet to Ceylon, and over every eastern
land and islet, the holy Padma is only a little less sacred than the Queen
of Heaven--Juno (I Oni) herself. It is as mysterious as the Yoni--is, like
it, the flower of concealment, of night and of silence, and that
mysteriousness of generation and reproduction; it is described as a sort
of incomprehensible dualism which veils the Almighty One and his mysteries
from our minds. Linnæus tells us it is the _Nelumbo_, but R. Payne Knight
is clearer when he writes to this effect. The flowers of the lotus contain
a seed vessel shaped like an inverted _cone or bell_, which are very holy
symbols with all peoples, and representative male and female. This
inverted bell is punctuated on the top with little cavities or cells in
which the seeds grow as in a matrix fed by the parent plant till they
arrive at such a size as to break open 'the ark boat of life.' They then
emerge and float away, taking root wherever they find ground, and throwing
down long tentacles or tendrills in quest of it. The idea is expressed by
Brahma in his address to the angels, as given in the _Linga-Pooran_,
beginning: 'When I sprang into existence, I beheld the mighty Narāyana
reposing on the abyss of waters;' which reminds us of the Jewish
Elohim-god who it is said generated all things 'by brooding o'er the
deep.'"[18]
Public-domain text, read in full here on John Shaqi.
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