B. Walters, _Cat. of Greek and Roman Lamps in the Brit. Museum_, London, 1914, p. 79 f., No. 527, Pl. 16, p. 99 f.; No. 656, pl. 22, p. 96, No. 635. The accompanying illustration is reproduced by kind permission of Mr. E. M. W. Tillyard and of the University Press, Cambridge. [10] Aristotle, _N.H._ ix. 37. Plutarch, _De Sol. Anim._ 27, translated by Holland. Ælian, _N.H._ ix. 24. See Pliny, _N.H._ ix. 42. [11] _Presidential Address to the British Association for the Advancement of Science_ (Newcastle, 1916), pp. 6-9. Cf. M. Burkitt, _Prehistory_, Cambridge, 1921, chs. iv-xx. [12] E. A. Parkyn, _Prehistoric Art_, London, 1915. [13] The Neolithic stage, some hold, is characterised by the presence of polished stone implements and in particular the stone _axe_, which, judging from its perforation, so as to be more effectually fastened to a wooden handle, was probably used rather for wood than conflict. T. Peisker, _Cambridge Mediæval History_, 1911, vol. i., has much of interest on the domestication of this period. [14] _Les Peintures préhistoriques de la Caverne d’Altamira, Annales du Musée Guimet_, Paris, 1904, tome xv. p. 131. [15] Émile de Cartailhac et H. Breuil, _La Caverne d’Altamira_, Paris, 1906, p. 145. Professor Boyd-Dawkins, _Early Man in Britain_, London, 1880, p. 233. But their technique in flaking, etc., suggests a later date. [16] The route was probably by Russia, Siberia, and across the land now cut by the Behring Straits. [17] In H. Ling Roth’s _The Aborigines of Tasmania_, London, 1890 (see Preface by Tylor on page vi.), “It is thus apparent that the Tasmanians were at a somewhat less advanced stage in the art of stone implement making than the Palæolithic men of Europe.” [18] Cf. W. J. Sollas, _Ancient Hunters_, London, 1911, p. 70. [19] Evans, _op. cit._, p. 9. See also an interesting essay by Professor E. T. Hamy, _L’Anthropologie_, tome xix. p. 385 ff., on _La Figure humaine chez le sauvage et chez l’enfant_. [20] C. Rau, _op. cit._, Washington, 1884. Salomon Reinach, _Antiquités Nationales_, vol. i., 1889. W. I. Hoffmann, _The Graphic Art of the Eskimo_, Report to Smithsonian Museum, 1895, p. 751. [21] At Cogul the sacral dance is performed by women clad from the waist downwards in well-cut gowns, which at Alpera are supplemented by flying sashes, and at Cueva de la Vieja reach to the bosom. Verily, we are already a long way from Eve! Cf. Evans, _op. cit._, p. 8. [22] Cook’s _Third Voyage_, Bk. I. ch. vi. W. C. Wentworth, _A Statistical, etc., Description of New South Wales and Van Diemen’s Land_, London, 1819, p. 115: “They have no knowledge whatever of the art of fishing”; the only fishing was done by women diving for shellfish. G. T. Lloyd, _Thirty-three Years in Tasmania and Victoria_, London, 1862, pp. 50-52. Ling Roth, _op. cit._, p. 75. [23] No Maya hook has as yet been brought to light, although this was employed by practically all the races aboriginal or other from Alaska to Peru.