tree in its process of growth will receive from the environments
certain peculiarities when it assimilates those properties.
The doctrine of Reincarnation alone can explain satisfactorily and
rationally the diversities among children and the reason of the many
instances of uncommon powers and genius displayed in childhood. The
theory of heredity has up to this time failed to give any good reason
for them. Why is it that Pascal, when twelve years old, succeeded in
discovering for himself the greater part of plane geometry. How could
the shepherd Mangiamelo, when five years old, calculate like an
arithmetical machine. Think of the child Zerah Colburn: when he was
under eight years of age he could solve the most tremendous
mathematical problems instantly and without using any figures. "In one
instance he took the number 8 and raised it up progressively to the
sixteenth power and instantly mentioned the result which contained 15
figures--28l,474,976,710,656." Of course he was right in every
figure. When asked the square root of numbers consisting of six
figures, he would state the result instantly with perfect accuracy. He
used to give the cube root of numbers in the hundreds of millions the
very moment when it was asked. Somebody asked him once how many
minutes there were in 48 years, he answered, 25,288,800.
Mozart, the great musician, wrote a sonata when he was four years old
and an opera in his eighth year. Theresa Milanolla played the violin
with such skill that many people thought that she must have played
before her birth. There are many such instances of wonderful powers
exhibited by artists and painters when they were quite young.
Sankarâcharya, the great commentator of the Vedanta philosophy,
finished his commentary when he was twelve years old. How can such
cases be explained by the theory of hereditary transmission? Many of
you have heard of the wonderful musical talents of Blind Tom. This
blind negro slave was born on his master's plantation and was brought
up as a typical negro. He received no training in music or in any
other line. One day when his master's family were at dinner he
happened to come into his master's parlor and displayed his marvelous
musical power for the first time by playing on his master's
piano. Afterwards he was exhibited in different states of this
country. Physically he was nothing but a typical negro. His intellect
was very poor, but in music he was a master. His musical talents were
so great that he composed music for himself and played his own
compositions. Sometimes after hearing a new piece of rapid music once,
he could reproduce it note for note. Where did he get all these
powers? From whom did he inherit them? His parents perhaps never heard
of a piano. He never had a lesson in his life, and he could not have
understood even if he had had any. Not long ago I saw a girl of about
six years, who played the piano most beautifully and who could
reproduce the most difficult music after hearing it once.
Public-domain text, read in full here on John Shaqi.
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