The case of Pallas Athena is even simpler, though it leads to a
somewhat surprising result. What Apollo is to Ionia that, and more,
Athena is to Athens. There are doubtless foreign elements in Athena,
some Cretan and Ionian, some Northern.[52:1] But her whole appearance in
history and literature tells the same story as her name. Athens is her
city and she is the goddess of Athens, the Athena or Athenaia Korê. In
Athens she can be simply 'Parthenos', the Maiden; elsewhere she is the
'Attic' or 'Athenian Maiden'. As Glaucopis she is identified or
associated with the Owl that was the sacred bird of Athens. As Pallas
she seems to be a Thunder-maiden, a sort of Keraunia or bride of
Keraunos. A Palladion consists of two thunder-shields, set one above the
other like a figure 8, and we can trace in art-types the development of
this 8 into a human figure. It seems clear that the old Achaioi cannot
have called their warrior-maiden, daughter of Zeus, by the name Athena
or Athenaia. The Athenian goddess must have come in from Athenian
influence, and it is strange to find how deep into the heart of the
poems that influence must have reached. If we try to conjecture whose
place it is that Athena has taken, it is worth remarking that her
regular epithet, 'daughter of Zeus', belongs in Sanskrit to the
Dawn-goddess, Eôs.[52:2] The transition might be helped by some touches
of the Dawn-goddess that seem to linger about Athena in myth. The rising
Sun stayed his horses while Athena was born from the head of Zeus. Also
she was born amid a snowstorm of gold. And Eôs, on the other hand, is,
like Athena, sometimes the daughter of the Giant Pallas.[53:1]
Our three chief Olympians, then, explain themselves very easily. A body
of poetry and tradition, in its origin dating from the Achaioi of the
Migrations, growing for centuries in the hands of Ionian bards, and
reaching its culminating form at Athens, has prominent in it the Achaian
Zeus, the Ionian Apollo, the Athenian Korê--the same Korê who descended
in person to restore the exiled Pisistratus to his throne.[53:2]
Public-domain text, read in full here on John Shaqi.
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