Five Years' Explorations at Thebes: A Record of Work Done 1907-1911 by The Earl of Carnarvon and Howard CarterCarnarvon, George Edward Stanhope Molyneux Herbert, Earl of
History
Five Years' Explorations at Thebes: A Record of Work Done 1907-1911 by The Earl of Carnarvon and Howard Carter
Carnarvon, George Edward Stanhope Molyneux Herbert, Earl of
THE MORTUARY CHAPEL AND SEPULCHRE OF TETA-KY
BY HOWARD CARTER
Though partly excavated in the rock at the side of a foot-hill the
Mortuary Chapel of Teta-ky and his family is mainly a crude mud-brick
construction, with its actual sepulchres subterranean: these latter are
approached from a vertical shaft in the centre of the fore-court (Pl. I.
1 and 2).
The peculiar irregularity of the courtyard and buildings, which will be
seen from the plan (Pl. II), seems due, in the first place, to the shape
of the site, and, secondly, to the fact that this particular part of the
necropolis must have been much overcrowded. Though it is built of
mud-brick, the structure itself suffered comparatively little damage
until recent years. The low walls of its fore-court, entered from the
east, the small painted shrine in the south wall, the vaulted chambers
on either side of the alley that leads to the principal and decorated
chapel under the rock at the north end, are all more or less intact. In
fact, the greater part of its destruction can be put down to the Arabs
of modern times. Hence, except from slight mutilations, the structure is
still practically intact.
Architecturally the plan and construction is of a well-known type. Its
chapels are early examples of the brick-vaulted chambers often found in
and so typical of the Dêr el Medînet Necropolis of Thebes. Only two of
its chambers are painted: the small shrine or niche built in the wall of
the fore-court; and the main chapel under the rock called upon the plan
‘painted vaulted chamber’. The latter alone has inscriptions.
The painted niche has depicted on its right wall seated figures
(unnamed) receiving offerings (Pl. III. 1); and on the left wall a
conventionally drawn vineyard, in which there is shown a figure
gathering grapes (Pl. III. 2). Its barrel-vaulted ceiling, now
destroyed, was decorated with multicoloured bands which are so
frequently seen on the roofs of Theban rock-cut tombs. But of this
ceiling hardly enough remains to allow a true and accurate description.
Public-domain text, read in full here on John Shaqi.
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