As in the summer, so in the winter side, the best room is generally
in the centre. The better rooms are almost invariably approached from
the side and not from the front, being separated from one another by
passages that run to the whole depth of the buildings. This enables the
entire frontage of the room to be given up to windows. Generally some of
the rooms have a large cupboard room at the back, which is frequently
used for sleeping in. As the floor of the house is three feet above the
level of the compound, the passages between the rooms are furnished with
steps, but they have no doors. Consequently, to shift one’s quarters in
such a house necessitates going into the open air. The smaller rooms are
generally approached from the front, and in this case they sometimes have
an _aivān_, or mud verandah. The winter rooms always take up the north
end of the compound, but are often built along the east or west side as
well.
Rooms are generally named by the number of their windows, which is
usually three or five. A good five-windowed room will have a frontage of
five arches filled in with French windows. The semi-circular fanlight
consists of pieces of coloured glass fixed together in a wooden lattice.
The lattice at a distance resembles fret-work, but is really elaborately
pieced together. Some of the older windows contain exceedingly fine work,
but even when it is well done it is not very durable, and nowadays they
can only do very rough work. Some of the work that is forty or fifty
years old is marvellous, but could not be done at the present time for
love or money. The French window itself consists of two doors which
are supposed to meet in the middle. There are no hinges, but each door
has a wooden foot which turns in a mud socket. The arrangement of the
coloured glasses which forms the panes is extremely artistic. The same
sort of wooden lattice is used, but the pattern is rather larger than the
pattern of the fanlight. As may be supposed, it is extremely difficult to
keep these windows clean, for the panes, besides being very minute, are
simply caught into grooves in the wood; and, as the work is done without
any great accuracy, they very seldom fit. The doors are made after the
same design as the windows, but they have wooden panels. They are often
surmounted by a glazed fanlight. The wood of the doors and windows is
covered with a yellowish-brown paint, and warps very badly, as it is used
in an unseasoned state. Our cat could generally get in through a bolted
door.
Public-domain text, read in full here on John Shaqi.
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