Flagg's The Far West, 1836-1837, part 1Flagg, Edmund
History
Flagg's The Far West, 1836-1837, part 1
Flagg, Edmund
Illinois -- Description and travel; Mississippi River Valley -- Description and travel; Missouri -- Description and travel
if even then he perceived the icy grasp of the death angel creeping
over his frame.
{17} Perhaps I have devoted more words to the detail of this
melancholy incident than would otherwise have been the case, on
account of the interest which some circumstances in the sufferer's
history, subsequently received from the captain of our steamer,
inspired.
"Frank, poor fellow," said the captain, "was a native of Ohio, the son
of a lone woman, a widow. He was all her hope, and to his exertions
she was indebted for a humble support."
Here, then, were circumstances to touch the sympathies of any heart
possessed of but a tithe of the nobleness of our nature; and I could
not but reflect, as they were recounted, how like the breath of
desolation the first intelligence of her son's fearful end must sweep
over the spirit of this lonely widow; for, like the wretched
Constance, she can "never, never behold him more."[3]
"Her life, her joy, her food, her all the world!
Her widow-comfort, and her sorrow's cure!"
While indulging in these sad reflections a gay burst of music arrested
my attention; and, looking up, I perceived the packet-boat "Lady
Marshall" dropping from her mooring at the quay, her decks swarming
with passengers, and under high press of steam, holding her bold
course against the current, while the merry dashing of the wheels,
mingling with the wild clang of martial music, imparted an air almost
of romance to the scene. How strangely did this contrast with that
misery from which my eye had just turned!
There are few objects more truly grand--I had {18} almost said
sublime--than a powerful steamer struggling triumphantly with the
rapids of the Western waters. The scene has in it a something of that
power which we feel upon us in viewing a ship under full sail; and, in
some respects, there is more of the sublime in the humbler triumph of
man over the elements than in that more vast. Sublimity is a result,
not merely of massive, extended, unmeasured greatness, but oftener,
and far more impressively, does the sentiment arise from a
_combination_ of vast and powerful objects. The mighty stream rolling
its volumed floods through half a continent, and hurrying onward to
mingle its full tide with the "Father of Waters," is truly sublime;
its resistless power is sublime; the memory of its by-gone scenes, and
the venerable moss-grown forests on its banks, are sublime; and,
lastly, the noble fabric of man's workmanship struggling and groaning
in convulsed, triumphant effort to overcome the resistance offered,
completes a picture which demands not the heaving ocean-waste and the
"oak leviathan" to embellish.
Public-domain text, read in full here on John Shaqi.
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