To-night, as Valentine sat looking at the Christ, a curious wonder at
himself came into his mind. He was musing on the confession of Julian, so
long withheld, so shyly made at last. This confession caused him, for the
first time, to look self-consciously upon himself, to stand away from his
nature, as the artist stands away from the picture he is painting, and to
examine it with a sideways head, with a peering, contracted gaze. This
thing that protected a soul from sin--what was it like? What was it? He
could not easily surmise. He had a clear vision of the Christ soul, of
the exquisite essence of a divine individuality that prompted life to
spring out of death for one perfect moment that it might miraculously
reward a great human act of humanity. Yes, that soul floated before him
almost visibly. He could call it up before his mind as a man can call up
the vision of a supremely beautiful rose he has admired. And there was a
scent from the Christ soul as ineffably delicious as the scent of the
rose. But when Valentine tried to see his own soul, he could not see it.
He could not comprehend how its aspect affected others, even quite how it
affected Julian. Only he could comprehend, as he looked at the Christ,
its imperfection, and a longing, not felt before, came to him to be
better than he was. This new aspiration was given to him by Julian's
confession. He knew that well. He protected his friend now without
effort. Could he not protect him more certainly with effort? Can a soul
be beautiful that never strives consciously after beauty? A child's
nature is beautiful in its innocence because it has never striven to be
innocent. But is not an innocent woman more wonderful, more beautiful,
than an innocent child? Valentine felt within him that night a distinct
aspiration, and he vaguely connected it with the drooping Christ, who
touched with wan, rewarding lips the ardent face of the merciful knight.
And he no longer had the desire to know desire of sin. He no longer
sought to understand the power of temptation or the joy of yielding to
that power. A subtle change swept over him. Whether it was permanent, or
only passing, he could not tell.
A tingling cry from the electric bell in the passage told of Julian's
arrival, and in a moment he entered. He looked gay, almost rowdy, and
clapped Valentine on the shoulder rather boisterously.
"Why on earth are you in here?" he exclaimed. "Have you been playing?"
"No."
"Are you in an exalted state of mind, that demands the best parlour for
its environment?"
"Hardly."
"But why then have you let out the fire in the den and enthroned yourself
here?"
"A whim, Julian. I felt a strong inclination to sit in this room
to-night. It seems to me a less nervous room than the other, and I
want to be as cold-blooded as possible."
Public-domain text, read in full here on John Shaqi.
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