Julian ordered it, the stout, a cup of coffee and a liqueur brandy for
himself. While the waiter was getting the things he noticed Cuckoo's
extreme and active gravity, a gravity which seemed oddly to give her
quite a formidable appearance under her feathers. Despite the obvious
weariness written on her face, there was somehow a look of energy about
her, the aspect of a person full of intention and purpose.
"Why, Cuckoo," he said, "you look like a young judge about to deliver a
sentence on somebody."
And indeed that was just how her expression and pose behind the
marble-topped table affected him. Just then the waiter brought the
stout and the other things. Cuckoo removed her cheap kid gloves, took
the tumbler in her thin fingers and sipped at it. After a sip or two
she put the glass down, and said to Julian:
"I say."
"Well?"
"What are you about to-night?"
The question came from her painted lips very sternly. It seemed
addressed by one who had a right to condemn, and who was going to
exercise that right. Julian was astonished by her tone, and had an
instant's inclination to resent it. But then he thought that there was
nothing in the words themselves, and that the odd manner probably sprang
simply from fatigue or some other womanish, undivined cause. So he
answered:
"Just taking a stroll. It's so fine," and began to drink his coffee.
But Cuckoo quickly showed that her manner meant all that it had seemed to
say.
"That ain't it," she said, with emphatic excitement, though she spoke in
a low voice because of the people all round them. "You know it ain't."
Julian was just lighting a cigarette. The match was flaming in his hand.
He let it go out as he looked at her.
"What do you mean?" he asked. "What's the matter?"
"What are you doin'?" she retorted. "That's what I want to know. Not as I
need to ask, though," she added, bitterly.
Julian was distinctly taken aback by the emotion in her manner, and the
passion that she tried to keep quiet in her voice. He flushed rather red,
a boyish trick which he could never quite get over.
"I don't know what you're talking about," he said, lighting another
match, and this time making it do its office on his cigarette.
Cuckoo tossed her head in a way that was not wholly free from vulgarity,
but that was certainly wholly unconscious and expressive of real feeling.
"Oh yes, you do," she rejoined. Then after a moment's silence, she added,
with bitter emphasis, and a movement of her hand in the direction of the
door:
"You out in that crowd, and doing the same as all of them?"
Public-domain text, read in full here on John Shaqi.
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