He disappeared muttering from the window, and in a moment appeared
at a door on the left, disclosing himself now fully as a degraded,
flaccid-looking, frouzy ruffian of a very low type, flashily dressed,
and of a most unamiable expression. Taking a candlestick from a dirty
marble-topped slab that projected from the passage-wall, he struck a
match, lit the candle, and preceded them up the narrow flight of stairs,
his boots creaking loudly at every step. On the landing at the top a
smart maid-servant with a very pale face reconnoitered the party for
a moment with furtive curiosity, then flitted away in the darkness to
the upper regions of the house.
The landlord paused by a door numbered with a black number.
"He is in here," he whispered hoarsely. "Tomorrow they sit on him. After
that he go from me. Mon Dieu! I am glad when he is gone. My custom he
is spoilt. My house get a bad name, and like a dog they hang him. Mon
Dieu!"
He opened the door stealthily, forming "St!" with his fat, coarse lips.
"I light the gas. It is all dark."
"No, no," Julian said, taking the candle from him, "I will do that. Go
down."
He motioned him away, and entered the room, followed by Valentine, at
whom the landlord again stared with a greedy consideration and curiosity,
before turning to retreat softly down the narrow stairs.
They found themselves in a good-sized room, typically of London. It was
full of the peculiar and unmistakable metropolitan smell, a stale odor
of the streets that suggests smuts to the mind. Two windows, with a
long dingy mirror set between them, looked out towards the Euston Road.
Venetian blinds and thin white curtains looped with yellow ribbon
shrouded them. On a slab that stuck out under the mirror was placed a
bundle of curling-pins tied with white tape, a small brush and comb,
and a bottle of cherry-blossom scent. Near the mirror stood a narrow
sofa covered with red rep. Upon this lay a man's upturned top-hat, in the
corner of which reposed a pair of reindeer gloves. A walking-stick with
a gold top stood against the wall, in a corner by the marble mantlepiece.
In the middle of the room lay a small open portmanteau, disclosing a
disorder of shirts, handkerchiefs, and boots, a cheque-book, a bottle
of brandy, and some brushes. By the fireplace there was a vulgar-looking
arm-chair upholstered in red. The room was full of the faint sound of
London voices and London traffic.
Julian went straight up to the gas chandelier and lit all three jets.
His action was hurried and abrupt. Then he set the candle down beside
the bundle of curling-pins, and turned sharply round to face the bed.
The room was now a glare of light, and in this glare of light the broad
bed with its white counterpane and sheets stood out harshly enough. The
sheets were turned smoothly down under the blue chin of the dead man,
who lay there upon his back, his face with fast-shut eyes dusky white,
or rather grey, among the pillows. As Julian looked upon him he
exclaimed:
Public-domain text, read in full here on John Shaqi.
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