"Good God, it isn't Marr! Valentine, it isn't Marr!"
"Not?"
"No. And yet--wait a moment--"
Julian came nearer to the bed and bent right down over the corpse. Then
he drew away and looked at Valentine, who was at the other side of the
bed.
"Oh, Valentine, this is strange," he whispered, and drawing a chair
to the bedside, he sank down upon it. "This is strange. What is it
death does to a man? Yes; this is Marr. I see now; but so different,
so altered! The whole expression,--oh, it is almost incredible."
He stared again upon the face.
It was long in shape, thin and swarthy, very weary looking, the face of
a man who had seen much, who had done very many, very various things.
No face with shut eyes can look, perhaps, completely characteristic.
Yet this face was full of a character that seemed curiously at war with
the shape of the features and with the position of the closed eyes,
which were very near together. Julian, in describing Marr to Valentine,
had pronounced him Satanic, and this dead face was, in truth, somewhat
Mephistophelean. An artist might well have painted it upon his canvas as
a devil. But he must have reproduced merely the features and colouring,
the blue, shaven cheeks, and hollow eye-sockets; for the expression of
his devil he would have been obliged to seek another model. Marr, dead,
looked serene, kind, gentle, satisfied, like a man who has shaken himself
free from a heavy burden, and who stretches himself to realize the sudden
and wonderful ease for which he has longed, and who smiles, thinking,
"That ghastly thrall is over. I am a slave no longer. I am free." The
dead face was wonderfully happy.
Julian seemed entirely fascinated by it. After his last smothered
exclamation to Valentine, he sat, leaning one arm upon the head of the
bed, gazing till he looked stern, as all utterly ardent observers look.
Valentine, too, was staring at the dead man.
There was a very long silence in the room. The rain leaped upon the tall
windows on each side of the mirror and ran down them with an unceasing
chilly vivacity. Lights from the street flickered through the blinds to
join the glare of the gas. All the music of the town wandered round the
house as a panther wanders round a bungalow by night. And the thin stream
of people flowed by on the shining pavement beyond the iron railing of
the narrow garden. They spoke, as they went, of all the minor things of
life, details of home, details of petty sins, details of common loves and
common hopes and fears, all stirring feebly under umbrellas. And close
by these two friends, under three flaring gas-jets, watched the unwinking
dead man, whose face seemed full of relief. Presently Julian, without
looking up, said:
"Death has utterly changed him. He is no longer the same man. Formerly
he looked all evil, and now it's just as if his body were thanking God
because it had got rid of a soul it had hated. Yes, it's just like that.
Valentine, I feel as if Marr had been rescued."
Public-domain text, read in full here on John Shaqi.
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