Flibbertigibbet nodded emphatically; the conversation was begun again
and continued for half an hour. It was in truth a labor as well as a
work of love. The spelling in both cases was far from perfect and, at
times, puzzling to both parties; but little by little they became used
to each other's erratic symbols together with the queer things for which
they stood, and no conversation throughout the length and breadth of New
York--yes, even of our United States--was ever more enjoyed than by
these three girls. Flibbertigibbet and the Marchioness did the
finger-talking, and Freckles helped with the interpretation. In the
following translation of this first important exchange of social
courtesies, the extremely peculiar spelling, and wild combinations of
vowels in particular, are omitted: but the questions and answers are
given exactly as they were constructed by the opposite neighbors.
"Go slow." This as a word of warning from the Marchioness.
"You bet."
"Isn't this fun?"
"Beats the band."
"What is your name?"
Flibbertigibbet and her chum looked at each other; should it be nickname
or real name? As they were at present in society and much on their
dignity they decided to give their real names.
"Aileen Armagh." Thereupon Flibbertigibbet beat upon her breast to
indicate first person singular possessive. The Marchioness stared at her
for a minute, then spelled rather quickly:
"It's lovely. We call you something else."
"Who's we?"
"Aunt Ruth and I."
"What do you call me?"
"Flibbertigibbet."
"Git off!" cried Flibbertigibbet, recklessly shoving Freckles on to the
floor. "Gee, how'd she know!" And thereupon she jumped to her feet and,
having the broad window sill to herself, started upon a rather
restricted coon dance in order to prove to her opposite neighbor that
the nickname belonged to her by good right. Oh, but it was fun for the
Marchioness! She clapped her hands to show her approval and catching up
the skirt of her dainty white frock, slowly raised one leg at a right
angle to her body and stood so for a moment, to the intense admiration
of the other girls.
"That's what they call me here," said Flibbertigibbet when they got down
to conversation again.
"What is hers?" asked the Marchioness, pointing to Freckles.
"Margaret O'Dowd, but we call her Freckles."
How the Marchioness laughed! So hard, indeed, that she apparently
tumbled off the seat, for she disappeared entirely for several minutes,
much to the girls' amazement as well as chagrin.
"It's like she broke somethin'," whimpered Freckles; "a bone yer
know--her nose fallin' that way when she went over forrard."
"She ain't chany, I tell yer; she's jest Injy rubber," said
Flibbertigibbet scornfully but with a note of anxiety in her voice. At
this critical moment the Marchioness reappeared and jumped upon the
seat. She had a curious affair in her hand; after placing it to her
eyes, she signalled her answer:
"I can see them."
"See what?"
"The freckles."
Public-domain text, read in full here on John Shaqi.
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