Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
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Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
"I passed off my college examinations when I was thirteen because
I couldn't help it. My chief associates were professors, and I
took a tremendous pride in knowing that I had a fine
intelligence, for though I was unusually gifted I was not
abnormal in other ways. When I was sixteen I got tired of being a
freak; I decided that some one had made a bad mistake. Still as
I'd gone that far I concluded to finish it up by taking my degree
of Master of Arts. My chief interest in life is the study of
modern philosophy. I am a realist of the School of Anton
Laurier--with Bergsonian trimmings--and I'll be eighteen years
old in two months. That's all."
"Whew!" exclaimed Marcia. "That's enough! You do a neat job with
the parts of speech."
"Satisfied?"
"No, you haven't kissed me."
"It's not in my programme," demurred Horace. "Understand that I
don't pretend to be above physical things. They have their place,
but---"
"Oh, don't be so darned reasonable!"
"I can't help it."
"I hate these slot-machine people."
"I assure you I---" began Horace.
"Oh shut up!"
"My own rationality---"
"I didn't say anything about your nationality. You're Amuricun,
ar'n't you?"
"Yes."
"Well, that's O.K. with me. I got a notion I want to see you do
something that isn't in your highbrow programme. I want to see if
a what-ch-call-em with Brazilian trimmings--that thing you said
you were--can be a little human."
Horace shook his head again.
"I won't kiss you."
"My life is blighted," muttered Marcia tragically. "I'm a beaten
woman. I'll go through life without ever having a kiss with
Brazilian trimmings." She sighed. "Anyways, Omar, will you come
and see my show?"
"What show?"
"I'm a wicked actress from 'Home James'!"
"Light opera?"
"Yes--at a stretch. One of the characters is a Brazilian
rice-planter. That might interest you."
"I saw 'The Bohemian Girl' once," reflected Horace aloud. "I
enjoyed it--to some extent---"
"Then you'll come?"
"Well, I'm--I'm---"
"Oh, I know--you've got to run down to Brazil for the week-end."
"Not at all. I'd be delighted to come---"
Marcia clapped her hands.
"Goodyforyou! I'll mail you a ticket--Thursday night?"
"Why, I---"
"Good! Thursday night it is."
She stood up and walking close to him laid both hands on his
shoulders.
"I like you, Omar. I'm sorry I tried to kid you. I thought you'd
be sort of frozen, but you're a nice boy."
He eyed her sardonically.
"I'm several thousand generations older than you are."
"You carry your age well."
They shook hands gravely.
"My name's Marcia Meadow," she said emphatically. "'Member it--
Marcia Meadow. And I won't tell Charlie Moon you were in."
An instant later as she was skimming down the last flight of
stairs three at a time she heard a voice call over the upper
banister: "Oh, say---"
She stopped and looked up--made out a vague form leaning over.
"Oh, say!" called the prodigy again. "Can you hear me?"
"Here's your connection Omar."
Public-domain text, read in full here on John Shaqi.
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