Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
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Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
"Hello!" She smiled up at him wanly. "Horace, there's something I
want you to do. Look in my top bureau drawer and you'll find a
big stack of paper. It's a book--sort of--Horace. I wrote it down
in these last three months while I've been laid up. I wish you'd
take it to that Peter Boyce Wendell who put my letter in his
paper. He could tell you whether it'd be a good book. I wrote it
just the way I talk, just the way I wrote that letter to him.
It's just a story about a lot of things that happened to me. Will
you take it to him, Horace?"
"Yes, darling."
He leaned over the bed until his head was beside her on the
pillow, and began stroking back her yellow hair.
"Dearest Marcia," he said softly.
"No," she murmured, "call me what I told you to call me."
"Dear heart," he whispered passionately--"dearest heart."
"What'll we call her?"
They rested a minute in happy, drowsy content, while Horace
considered.
"We'll call her Marcia Hume Tarbox," he said at length.
"Why the Hume?"
"Because he's the fellow who first introduced us."
"That so?" she murmured, sleepily surprised. "I thought his name
was Moon."
Her eyes dosed, and after a moment the slow lengthening surge of
the bedclothes over her breast showed that she was asleep.
Horace tiptoed over to the bureau and opening the top drawer
found a heap of closely scrawled, lead-smeared pages. He looked
at the first sheet:
SANDRA PEPYS, SYNCOPATED
BY MARCIA TARBOX
He smiled. So Samuel Pepys had made an impression on her after
all. He turned a page and began to read. His smile deepened--he
read on. Half an hour passed and he became aware that Marcia had
waked and was watching him from the bed.
"Honey," came in a whisper.
"What Marcia?"
"Do you like it?"
Horace coughed.
"I seem to be reading on. It's bright."
"Take it to Peter Boyce Wendell. Tell him you got the highest
marks in Princeton once and that you ought to know when a book's
good. Tell him this one's a world beater."
"All right, Marcia," Horace said gently.
Her eyes closed again and Horace crossing over kissed her
forehead--stood there for a moment with a look of tender pity.
Then he left the room.
All that night the sprawly writing on the pages, the constant
mistakes in spelling and grammar, and the weird punctuation
danced before his eyes. He woke several times in the night, each
time full of a welling chaotic sympathy for this desire of
Marcia's soul to express itself in words. To him there was
something infinitely pathetic about it, and for the first time in
months he began to turn over in his mind his own half-forgotten
dreams.
He had meant to write a series of books, to popularize the new
realism as Schopenhauer had popularized pessimism and William
James pragmatism.
But life hadn't come that way. Life took hold of people and
forced them into flying rings. He laughed to think of that rap at
his door, the diaphanous shadow in Hume, Marcia's threatened
kiss.
Public-domain text, read in full here on John Shaqi.
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