Flappers and PhilosophersFitzgerald, F. Scott (Francis Scott)
General
Flappers and Philosophers
Fitzgerald, F. Scott (Francis Scott)
Fiction; Short stories, American
Half a dozen times they played at private dances at three
thousand dollars a night, and it seemed as if these crystallized
all his distaste for his mode of livlihood. They took place in
clubs and houses that he couldn't have gone into in the daytime.
After all, he was merely playing to rôle of the eternal monkey, a
sort of sublimated chorus man. He was sick of the very smell of
the theatre, of powder and rouge and the chatter of the
greenroom, and the patronizing approval of the boxes. He couldn't
put his heart into it any more. The idea of a slow approach to
the luxury of leisure drove him wild. He was, of course,
progressing toward it, but, like a child, eating his ice-cream so
slowly that he couldn't taste it at all.
He wanted to have a lot of money and time and opportunity to read
and play, and the sort of men and women round him that he could
never have--the kind who, if they thought of him at all, would
have considered him rather contemptible; in short he wanted all
those things which he was beginning to lump under the general
head of aristocracy, an aristocracy which it seemed almost any
money could buy except money made as he was making it. He was
twenty-five then, without family or education or any promise that
he would succeed in a business career. He began speculating
wildly, and within three weeks he had lost every cent he had
saved.
Then the war came. He went to Plattsburg, and even there his
profession followed him. A brigadier-general called him up to
headquarters and told him he could serve his country better as a
band leader--so he spent the war entertaining celebrities behind
the line with a headquarters band. It was not so bad--except
that when the infantry came limping back from the trenches he
wanted to be one of them. The sweat and mud they wore seemed
only one of those ineffable symbols of aristocracy that were
forever eluding him.
"It was the private dances that did it. After I came back from
the war the old routine started. We had an offer from a
syndicate of Florida hotels. It was only a question of time
then."
He broke off and Ardita looked at him expectantly, but he shook
his head.
"No," he said, "I'm going to tell you about it. I'm enjoying it
too much, and I'm afraid I'd lose a little of that enjoyment if I
shared it with anyone else. I want to hang on to those few
breathless, heroic moments when I stood out before them all and
let them know I was more than a damn bobbing, squawking clown."
From up forward came suddenly the low sound of singing. The
negroes had gathered together on the deck and their voices rose
together in a haunting melody that soared in poignant harmonics
toward the moon. And Ardita listens in enchantment.
"Oh down---
oh down,
Mammy wanna take me down milky way,
Oh down,
oh down,
Pappy say to-morra-a-a-ah
But mammy say to-day,
Yes--mammy say to-day!"
Public-domain text, read in full here on John Shaqi.
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