Flatland: A Romance of Many DimensionsAbbott, Edwin Abbott
Science
Flatland: A Romance of Many Dimensions
Abbott, Edwin Abbott
Fourth dimension
Not that I should be disposed to recommend (at present) the extreme
measures adopted by some States, where an infant whose angle deviates
by half a degree from the correct angularity is summarily destroyed at
birth. Some of our highest and ablest men, men of real genius, have
during their earliest days laboured under deviations as great as, or
even greater than, forty-five minutes: and the loss of their precious
lives would have been an irreparable injury to the State. The art of
healing also has achieved some of its most glorious triumphs in the
compressions, extensions, trepannings, colligations, and other surgical
or diaetetic operations by which Irregularity has been partly or wholly
cured. Advocating therefore a VIA MEDIA, I would lay down no fixed or
absolute line of demarcation; but at the period when the frame is just
beginning to set, and when the Medical Board has reported that recovery
is improbable, I would suggest that the Irregular offspring be
painlessly and mercifully consumed.
Section 8. Of the Ancient Practice of Painting
If my Readers have followed me with any attention up to this point,
they will not be surprised to hear that life is somewhat dull in
Flatland. I do not, of course, mean that there are not battles,
conspiracies, tumults, factions, and all those other phenomena which
are supposed to make History interesting; nor would I deny that the
strange mixture of the problems of life and the problems of
Mathematics, continually inducing conjecture and giving the opportunity
of immediate verification, imparts to our existence a zest which you in
Spaceland can hardly comprehend. I speak now from the aesthetic and
artistic point of view when I say that life with us is dull;
aesthetically and artistically, very dull indeed.
How can it be otherwise, when all one's prospect, all one's landscapes,
historical pieces, portraits, flowers, still life, are nothing but a
single line, with no varieties except degrees of brightness and
obscurity?
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