Jacobite Rebellion, 1745-1746 -- Fiction; Montrose Region (Scotland) -- History -- Fiction; Scotland -- History -- 18th century -- Fiction
"You are surprised," he observed, sighing. "But when a man has to mend
his fortunes he must mend them with what tools he can. Nor am I
ashamed of my trade."
"There is no need, Mr. Flemington," replied the other, with the
measured benevolence he had sometimes used upon the bench; "what you
tell me does you honour--much honour, sir."
"Then you did not take me for a painter any more than for a Scot?"
said Archie, smiling at his host.
"I did not, sir," said the judge shortly. He was not accustomed to be
questioned by his witnesses and he had the uncomfortable sensation of
being impelled, in spite of a certain prejudice, to think moderately
well of his guest.
"I have heard tell of your lordship very often," said the latter,
suddenly, "and I know very well into what good hands I have fallen. I
could wish that all the world was more like yourself."
He turned his head and stared wistfully at the coals.
Balnillo could not make out whether this young fellow's assurance or
his humility was the real key-note to the man. But he liked some of
his sentiments well enough. Archie wore his own hair, and the old man
noticed how silky and fine the brown waves were in the firelight. They
were so near his hand as their owner leaned forward that he could
almost have stroked them.
"Are you going further than Montrose?" he inquired.
"I had hoped to cozen a little employment out of Aberdeen," replied
Flemington, "but it is a mere speculation. I have a gallery of the
most attractive canvases with me--women, divines, children,
magistrates, provosts--all headless and all waiting to see what faces
chance and I may fit on to their necks. I have one lady--an angel, I
assure you, my lord!--a vision of green silk and white
roses--shoulders like satin--the hands of Venus!"
Balnillo was further bewildered. He knew little about the arts and
nothing about artists. He had looked at many a contemporary portrait
without suspecting that the original had chosen, as sitters often did,
an agreeable ready-made figure from a selection brought forward by a
painter, on which to display his or her countenance. It was a custom
which saved the trouble of many sittings and rectified much of the
niggardliness or over-generosity of Nature.
"I puzzle you, I see," added Archie, laughing, "and no doubt the hair
of Van Dyck would stand on end at some of our modern doings. But I am
not Van Dyck, unhappily, and in common with some others I do half my
business before my sitters ever see me. A client has only to choose a
suitable body for his own head, and I can tell you that many are
thankful to have the opportunity."
"I had no idea that portraits were done like that," said Lord
Balnillo; "I never heard of such an arrangement before."
"But you do not think it wrong, I hope?" exclaimed Flemington, the
gaiety dying out of his face. "There is no fraud about it! It is not
as if a man deceived his sitter."
Public-domain text, read in full here on John Shaqi.
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