Jacobite Rebellion, 1745-1746 -- Fiction; Montrose Region (Scotland) -- History -- Fiction; Scotland -- History -- 18th century -- Fiction
IT was on the following day that Lord Balnillo stood in front of a
three-quarter length canvas in the improvised studio; Archie had begun
to put on the colour that morning, and the judge had come quietly
upstairs to study the first dawnings of his own countenance alone.
From the midst of a chaos of paint his features were beginning to
appear, like the sun through a fog. He had brought a small hand-glass
with him, tucked away under his velvet coat where it could not be
seen, and he now produced it and began to compare his face with the
one before him. Flemington was a quick worker, and though he had been
given only two sittings, there was enough on the canvas to prompt the
gratified smile on the old man's lips. He looked alternately at his
reflection and at the judicial figure on the easel; Archie had a
tactful brush. But though Balnillo was pleased, he could not help
sighing, for he wished fervently that his ankles had been included in
the picture. He stooped and ran his hand lovingly down his silk
stockings. Then he took up the glass again and began to compose his
expression into the rather more lofty one with which Flemington had
supplied him.
In the full swing of his occupation he turned round to find the
painter standing in the doorway, but he was just too late to catch the
sudden flash of amusement that played across Archie's face as he saw
what the judge was doing. Balnillo thrust the glass out of sight and
confronted his guest.
"I thought you had gone for a stroll, sir," he said rather stiffly.
"My lord," exclaimed Flemington, "I have been searching for you
everywhere. I've come, with infinite regret, to tell you that I must
return to Ardguys at once."
Balnillo's jaw dropped.
"I have just met a messenger on the road," said the other; "he has
brought news that my grandmother is taken ill, and I must hurry home.
It is most unfortunate, most disappointing; but go I must."
"Tut, tut, tut!" exclaimed the old man, clicking his tongue against
his teeth and forgetting to hope, as politeness decreed he should,
that the matter was not serious.
"It is a heart-attack," said Archie.
"Tut, tut," said Balnillo again. "I am most distressed to hear it; I
am indeed."
"I _may_ be able to come back and finish the picture later."
"I hope so. I sincerely hope so. I was just studying the admirable
likeness when you came in," said Balnillo, who would have given a
great deal to know how much of his posturing Flemington had seen.
"Ah, my lord!" cried Archie, "a poor devil like me has no chance with
you! I saw the mirror in your hand. We painters use a piece of
looking-glass to correct our drawing, but it is few of our sitters who
know that trick."
Guilty dismay was chased by relief across Balnillo's countenance.
"You are too clever for me!" laughed Flemington. "How did you learn
it, may I ask?"
But Balnillo had got his presence of mind back.
"Casually, Mr. Flemington, casually--as one learns many things, if one
keeps one's ears open," said he.
Public-domain text, read in full here on John Shaqi.
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