Long and late that night the two friends sat together. Now that the first strangeness had worn off, and with it the consciousness of the divergence of the roads which they had travelled since the old days, Flint began to find his liking springing up as strong as ever, only the liking was of a different kind. It was after midnight when he came into the house, and betook himself to his own room. As he was pulling off his coat, he suddenly remembered his unopened letter. He smiled grimly, as it recalled the scene at the post-office, the glowering official, and the grinning bystanders. He was still smiling as he took the candle from the mantel-shelf and set it on the bureau, to which he drew up his one rickety chair. He sat down and scrutinized the letter again, and more closely. The envelope was a large, square one, with the editorial address of the "Transcontinental Magazine" in the left-hand corner. The writing was in the large, loose scrawl of Brooke, the junior editor. He wrote in haste as usual. All at the office was going well, new subscriptions were coming in fast, and if Flint would keep away long enough, the success of the "Transcontinental" would be secure. The letter which he enclosed had been opened by mistake, being apparently a business communication with no other address than "To the Editor;" but finding it personal in character, he forwarded it unread, and remained as always, Flint's faithful friend, C. Brooke. The enclosed letter to which Brooke alluded presented a curious contrast to his own. The handwriting was firm, but delicate--distinctively feminine. "I want to thank you," so the letter began, "not only for accepting my verses on 'A Thimble,' but also for the words of encouragement with which you accompany the acceptance. You say that you are especially glad to print the verses because they suggest a return to the type of womanhood of an earlier day, for which you retain an old-fashioned admiration. Now, I scarcely know whether my verses are very deceitful, or whether it is the realest and truest side of my nature which finds expression when I take my pen in hand. "I wonder if a bit of autobiography would bore you. I should feel that it would most men; but I think of you as a genial, elderly gentleman with a face like Thackeray's, and with a broad human interest in all phases of life." Flint grinned. "So much," he said to himself, "for the intuitions of woman." Yet he felt a trifle vexed at being set down as elderly, and secretly elated at the allusion to Thackeray,--as if a wide mouth, a turned-up nose, and eye-glasses carried with them fee-simple to "Henry Esmond" and the "Newcomes."