American fiction -- 19th century; California -- Social life and customs -- Fiction; Western stories
But this was evidently only a prelude to a severer rehearsal. When she
returned to the waterfall she unearthed from her stores a large piece
of yellow soap and some yards of rough cotton “sheeting.” These she
deposited beside the basin and again crept to the edge of the wood to
assure herself that she was alone. Satisfied that no intruding foot
had invaded that virgin bower, she returned to her bath and began
to undress. A slight wind followed her, and seemed to whisper to the
circumjacent trees. It appeared to waken her sister naiads and nymphs,
who, joining their leafy fingers, softly drew around her a gently moving
band of trembling lights and shadows, of flecked sprays and inextricably
mingled branches, and involved her in a chaste sylvan obscurity, veiled
alike from pursuing god or stumbling shepherd. Within these hallowed
precincts was the musical ripple of laughter and falling water, and at
times the glimpse of a lithe brier-caught limb, or a ray of sunlight
trembling over bright flanks, or the white austere outline of a childish
bosom.
When she drew again the leafy curtain, and once more stepped out of
the wood, she was completely transformed. It was the figure that had
appeared to the Postmaster; the slight, erect, graceful form of a
young woman modishly attired. It was Flip, but Flip made taller by the
lengthened skirt and clinging habiliments of fashion. Flip freckled,
but, through the cunning of a relief of yellow color in her gown, her
piquant brown-shot face and eyes brightened and intensified until she
seemed like a spicy odor made visible. I cannot affirm that the judgment
of Flip's mysterious modiste was infallible, or that the taste of
Mr. Lance Harriott, her patron, was fastidious; enough that it was
picturesque, and perhaps not more glaring and extravagant than the color
in which Spring herself had once clothed the sere hillside where Flip
was now seated. The phantom mirror in the tree fork caught and held her
with the sky, the green leaves, the sunlight and all the graciousness
of her surroundings, and the wind gently tossed her hair and the gay
ribbons of her gypsy hat. Suddenly she started. Some remote sound in
the trail below, inaudible to any ear less fine than hers, arrested her
breathing. She rose swiftly and darted into cover.
Ten minutes passed. The sun was declining; the white fog was beginning
to creep over the Coast Range. From the edge of the wood Cinderella
appeared, disenchanted, and in her homespun garments. The clock had
struck--the spell was past. As she disappeared down the trail even
the magic mirror, moved by the wind, slipped from the tree top to the
ground, and became a piece of common glass.
CHAPTER IV.
Public-domain text, read in full here on John Shaqi.
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