Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
Lying on the hills under the old tower of the Rocca, of which nothing
else remains, S. Miniato is itself, as it were, a weather-beaten
fortress, that was, perhaps, never so beautiful as now, when no one
keeps watch or ward. You may wander into the Duomo and out again into
the cloistered, narrow streets, and climbing uphill, pass down into the
great gaunt church like a fortress, S. Domenico, with its scrupulous
frescoes, and though you will see many wonderful and some delightful
things, it will be always with new joy you will return to S. Miniato
herself, who seems to await you like some virgin of the centuries of
faith, that age has not been able to wither, fresh and rosy as when she
first stood on her beautiful hills. Yet unspoiled as she is, Otto I has
dwelt with her, she was a stronghold of the Emperors, the fortress of
the Germans; Federigo Barbarossa knew her well, and Federigo II has
loved her and hated her, for here he spoke with poets and made a few
songs, and here he blinded and imprisoned Messer Piero della Vigna, that
famous poet and wise man, accusing him of treason.[84] Was it that he
envied him his verses or feared his wisdom, or did he indeed think he
plotted with the Pope? Piero della Vigna was from Capua, in the Kingdom;
very eloquent, full of the knowledge of law, the Emperor made him his
chancellor, and indeed gave him all his confidence, so that his
influence was very great with a man who must have been easily influenced
by his friends. Seeing his power, others about the Emperor, remembering
Piero's low condition, no doubt sought to ruin him; and, as it seems, at
last in this they were successful, forging letters to prove that the
chancellor trafficked with the Pope. It was a time of danger for
Frederick; he was easily persuaded of Piero's guilt, and having put out
his eyes, he imprisoned him. Driven to despair at the loss of that fair
world, Piero dashed his head against the walls of his prison, and so
died. Dante meets him among the suicides in the seventh circle of the
Inferno.
Public-domain text, read in full here on John Shaqi.
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