Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
But the Rocca of S. Miniato, as it is said, having brought death to a
poet and housed many Emperors, gave birth at last to the greatest
soldier of the fifteenth century, Francesco Sforza himself, he who made
himself Duke of Milan and whose statue Leonardo set himself to make, on
which the poets carved _Ecce Deus_. A mere fort, perhaps, in its origin,
in the days of Federigo II the Rocca must have been of considerable
strength, size, and luxury, dominating as it did the road to Florence
and the way to Rome: and then even in its early days it was a
stronghold of the German foreigner from which he dominated the Latins
round about, and not least the people of S. Miniato. Like all the
Tuscans, they could not bear the yoke, and they fled into the valley to
S. Genesio: soon to return, however, for the people of the plain liked
them as little as he of the tower. This exodus is, as it were,
commemorated in the dedication of the Duomo to S. Maria e a S. Genesio.
The church is not very interesting; some fragments of the old pulpit or
_ambone_, where you may see in relief the Annunciation and a coat of
arms with a boar and an inscription, are of the thirteenth century. It
is, however, in S. Domenico, not far away, that what remains to S.
Miniato of her art treasures will be found. Everyone seems to call the
church S. Domenico, but in truth it belongs to S. Jacopo and S. Lucia.
As in many another Tuscan city, it guards one side of S. Miniato, while
S. Francesco watches on the other, as though to befriend all who may
pass by. S. Domenico was founded in 1330, but it has suffered much since
then. The chapels, built by the greatest families of the place, in part
remain beautiful with the fourteenth-century work of the school of Gaddi
and of some pupil of Angelico; but it is a work of the fifteenth century
by some master of the Florentine school that chiefly delights us. For
there you may see Madonna, her sweet, ambiguous face neither happy nor
sad, with the Prince of Life in her lap, while on the one side stand S.
Sebastian and St. John Baptist, and on the other perhaps S. Jacopo and
S. Roch. Below the donors kneel a man and his wife and little daughter,
while in the predella you see our Lord's birth, baptism, and
condemnation. Altogether lovely, in that eager yet dry manner, a little
uncertain of its own dainty humanism, this picture alone is worth the
journey to S. Miniato. Yet how much else remains--a tomb attributed to
Donatello in this very chapel, a lovely terra-cotta of the Annunciation
given to Giovanni della Robbia, and indeed, not to speak of S. Francesco
with its spaciousness and delicate light, and the Palazzo Comunale, with
its frescoed Sala del Consiglio, there is S. Miniato itself, full of
flowers and the wind. Like a city of a dream, at dawn she rises out of
the mists of the valley pure and beautiful upon her winding hills that
look both north and south; cool at midday and very still, hushed from
Public-domain text, read in full here on John Shaqi.
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