Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
On a high precipitous rock on the top of the mountain you come to the
convent itself, through a great court, il Quadrante, under a low
gateway. The buildings are of the end of the fifteenth century, simple,
and with a certain country beauty about them, strong and engaging. In
the dim corridors the friars pass you on their way to church at all
hours of the day, smiling faintly at you, whom they, in their simple
way, receive without question as a friend. It is for St. Francis you
have come: it is enough. You pass into the Cappella della Maddalena,
where the angel appeared to S. Francesco promising such great things,
and it is with a certain confidence you remind yourself, yes, it is
true, the Order still lives, here men still speak S. Francesco's name
and pray to God. And there, as it is said, Jesus Himself spoke with him,
and he wrote the blessing for Frate Leone. Then you enter the Chiesina,
the first little church of the Mountain that St. Francis may have built
with his own hands, and that S. Bonaventura certainly enlarged; and thus
into the great Church of S. Maria Assunta, built in 1348 by the Conte di
Pietramala, with its beautiful della Robbias. Coming out again, you
pass along the covered way into the Cappella della Stigmata, built in
1263 by the Conte Simone da Battifolle, where behind the high altar is
the great Crucifixion by one of the della Robbia. Next to this chapel is
the Cappella della Croce, where of old the cell stood in which St.
Francis kept the Lent of St. Michael. Close by are the Oratories of S.
Antonio di Padua and S. Bonaventura, where they prayed and worked. Below
the Chapel of the Stigmata is the Sasso Spicco, whence the devil hurled
one of the brethren. For during that Lent, "Francis leaving his cell one
day in fervour of spirit, and going aside a little to pray in a hollow
of the rock, from which down to the ground is an exceeding deep descent
and a horrible and fearful precipice, suddenly the devil came in
terrible shape, with a tempest and exceeding loud roar, and struck at
him for to push him down thence. St. Francis, not having where to flee,
and not being able to endure the grim aspect of the demon, he turned him
quickly with hands and face and all his body pressed to the rock,
commending himself to God and groping with his hands, if perchance he
might find aught to cling to. But as it pleased God, who suffereth not
His servants to be tempted above that they are able to bear, suddenly by
a miracle the rock to which he clung hollowed itself out in fashion as
the shape of his body.... But that which the demon could not do then
unto St. Francis ... he did a good while after the death of St. Francis
unto one of his dear and pious brothers, who was setting in order some
pieces of wood in the self-same place, to the end that it might be
possible to cross there without peril, out of devotion to St. Francis
and the miracle that was wrought there. On a day the demon pushed him,
Public-domain text, read in full here on John Shaqi.
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