Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
while he had on his head a great log that he wished to set there, and
made him fall down thence with the log upon his head. But God, that had
preserved and delivered St. Francis from falling, through his merits
delivered and preserved his pious brother from the peril of his fall;
for the brother, as he fell, with exceeding great devotion commanded
himself in a loud voice to St. Francis, and straightway he appeared
unto him, and, catching him, set him down upon the rocks without
suffering him to feel a shock or any hurt." Can it have been this "pious
brother" who wrote the _Fioretti_? Everywhere you go in La Verna you
feel that S. Francesco has been before you; and where there is no
tradition to help you, surely you will make one for yourself. Can he who
loved everything that had life have failed to love, too, that world he
saw from La Penna--
"Nel crudo sasso, intra Tevere ed Amo"
--Casentino and its woods and streams, Val d'Arno, Val di Tevere, the
hills of Perugia, the valleys of Umbria, the lean, wolfish country of
the Marche, the rugged mountains of Romagna. There, on the summit of La
Verna, you look down on the broken fortresses of countless wars, the
passes through which army after army, company upon company, has marched
to victory or fled in defeat; every hill-top seems to bear some ruined
Rocca, every valley to be a forgotten battlefield, every stream has run
red with blood. All is forgotten, all is over, all is done with. The
victories led to nothing; the defeats are out of mind. In the midst of
the battle the peasant went on ploughing his field; somewhere not far
away the girls gathered the grapes. All this violence was of no account;
it achieved nothing, and every victory was but the tombstone of an idea.
Here, on La Verna, is the only fortress that is yet living in all
Tuscany of that time so long ago. It is a fortress of love. The man who
built it had flung away his dagger, and already his sword rusted in its
scabbard in that little house in Assisi; he conquered the world by love.
His was the irresistible and lovely force, the immortal, indestructible
confidence of the Idea, the Idea which cannot die. If he prayed in
Latin, he wrote the first verses of Italian poetry. Out of his tomb grew
the rose of the Renaissance, and filled the world with its sweetness. He
was the son of a burgess in Assisi, and is now the greatest saint in our
heaven. With the sun he loved his name has shone round the world, and
there is no land so far off that it has not heard it. And we, who loot
upon the ruined castles of the Conti Guidi, are here because of him, and
speak with his brothers as we gaze.
V. A RIVEDERLA
Slowly, as the summer waned, I made my way up through the Casentino,
once more past the strongholds and the little towns. Now and then on my
way I met the herds, already setting out for the winter pastures of
Maremma. The grapes were plucking or gathered in, and everywhere there
were songs.
Public-domain text, read in full here on John Shaqi.
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