Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second EditionHutton, Edward
History
Florence and Northern Tuscany with Genoa: With Sixteen Illustrations in Colour by William Parkinson and Sixteen Other Illustrations, Second Edition
Hutton, Edward
Art -- Italy -- Florence; Genoa (Italy) -- History; Tuscany (Italy) -- Description and travel
It was already summer when, one morning, soon after sunrise, I set out
from Genoa for Tuscany. The road to Spezia along the Riviera di Levante,
among the orange groves and the olives, between the mountains and the
sea, is one of the most beautiful in Europe. Forgotten, or for the most
part unused, by the traveller who is the slave of the railway, it has
not the reputation of its only rivals, the Corniche road from Nice to
Mentone, the lovely highway from Castellamare to Sorrento, or the road
between Vietri and Amalfi, where the strange fantastic peaks lead you at
last to the solitary and beautiful desert of Paestum, where Greece seems
to await you entrenched in silence among the wild-flowers. And there,
too, on the road to Tuscany, after the pleasant weariness of the way,
which is so much longer than those others, some fragment of antiquity is
to be the reward of your journey, though nothing so fine as the deserted
holiness of Paestum, only the dust of the white temple of Aphrodite
crowning the western horn of Spezia, where it rises splendid out of the
sea in the sun of Porto Venere.
This forgotten way among the olive gardens on the lower slopes of the
mountains over the sea, seems to me more joyful than any other road in
the world. It leads to Italy. Within the gate where all the world is a
garden, the way climbs among the olives and oranges, fresh with the
fragrance of the sea, the perfume of the blossoms, to the land of
heart's desire, where Pisa lies in the plain under the sorrowful gesture
of mountains like a beautiful mutilated statue, where Arno, parted from
Tiber, is lost in the sea, dowered with the glory of Florence, the
tribute of the hills, the spoil of many streams, the golden kiss of the
sun; while Tuscany, splendid with light and joy, stands neither for God
nor for His enemies, but for man, to whom she has given everything
really without an afterthought, the songs that shall not be forgotten;
the pictures full of youth; and above all Beauty, that on a night in
spring came to her from Greece as it is said among the vineyards, before
the vines had budded. For even as Love came to us from heaven, and was
born in a stable among the careful oxen, where a few poor shepherds
found a Mother with her Child, so Beauty was born in a vineyard in the
earliest dawn, when some young men came upon the hard white precious
body of a goddess, and drew her from the earth, and began to worship
her. Then in their hearts Beauty stirred, as Love did in the hearts of
the shepherds and the kings. Nor was that vision, so full of wisdom (a
vision of birth or resurrection, was it?) less fruitful than that other
so full of Love, when Mary, coming in the twilight of dawn, saw the
angel and heard his voice, and after weeping in the garden, heard Love
Himself call her by name. Well, if the resurrection of God was revealed
in Palestine, it was here among the Tuscan hills that man rose from the
dead and first saw the beauty of the flowers and the mystery of the
Public-domain text, read in full here on John Shaqi.
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