Florence, having somehow escaped measles and whooping-cough, was not allowed to run into infection in the cottages, but that did not prevent the sending of beef-teas and jellies and other helpful and neighbourly gifts, which could be tied to her pony’s saddle-bow and left by her at the door. She learned to know the cottagers with a frank and very human intimacy, and their homely wit touched her own, their shrewdness and sympathy met their like in her, and as she grew older, all this added to her power and her charm. She learned to know both the north and the south in “her ain countree,” and when, later in life, she was the wise angel of hope to the brave “Tommies,” recruited from such homes, meeting them as she did amid unrecorded agonies that were far worse than the horrors of the battlefield, she understood them all the better as men, because she had known just such boys as they had been and was familiar with just such homes as those in which they grew up. According to Mrs. Tooley’s biography, the farmhouse where Adam Bede fell in love with Hetty was just the other side of the meadows at Lea Hurst, and the old mill-wheel, where Maggie Tulliver’s father ground the corn of the neighbourhood, was only two or three miles away. Marian Evans, of whom the world still thinks and speaks by her pen-name of George Eliot, came sometimes to visit her kinsfolk in the thatched cottage by Wirksworth Tape Mills, and has left us in her earlier novels a vivid picture of the cottage life that surrounded our heroine during that part of the year which she spent in the Derbyshire home. The children, of course, had their own garden, which they dug and watered, and Florence was so fond of flowers and animals that that again was an added bond with her rustic neighbours. Flower-missions had not in those days been heard of, but she often tied up a nosegay of wild flowers for invalid villagers, or took some of her favourites out of her own garden to the sick people whom she visited. The story of her first patient has already been told several times in print, but no biography would be complete without it. She had nursed many dolls back to convalescence—to say nothing of “setting” their broken limbs—tempted their delicate appetites with dainties offered on toy plates, and dressed the burns when her sister let them tumble too near the nursery fire; but as yet she had had no real human patient, when one day, out riding with her friend the vicar over the Hampshire Downs near Embley, they noticed that Roger, an old shepherd whom they knew very well, was having endless trouble in getting his sheep together. “Where’s Cap?” asked the vicar, drawing up his horse, for Cap was a very capable and trusted sheep-dog. “T’ boys have been throwing stones at ‘n and they’ve broken t’ poor chap’s leg. Won’t ever be any good no more, a’m thinkin’. Best put him out of ‘s misery.” “O Roger!” exclaimed a clear young voice, “poor Cap’s leg broken? Can’t we do anything for him?”