In 1456 Giovanni obliged his eldest son, Pandolfo, to marry
Caterina, daughter of Buonaccorso Pitti. Even as a child Pandolfo
was extraordinarily religious and had set his heart on entering the
Church; but he was a good husband and father, and showed great ability
in banking affairs and in the various high offices he filled. After
his wife’s death, when his children were grown up and no longer needed
him, he received the habit of S. Dominic at the hands of Savonarola,
to whom he was devoted. Owing to the exile of Messer Palla Strozzi,
Francesco Rucellai tells us that “Giovanni was out of favour, and for
twenty years was looked upon with suspicion by the party of Cosimo the
Elder, the ruler. So he was obliged to be careful, as people tried to
stir up accusations against him. But real goodness is above malice
and suspicion, and Giovanni preferred to suffer for the peace of the
Republic rather than harm his beloved country by attempting to change
the government for the benefit of Messer Palla and himself. Thus he
gave no hold to his enemies, and Cosimo, astonished, desired to have
him as a friend and relation. So in 1461 he gave Nannina, daughter of
his son Piero, to Giovanni’s second son Bernardo, a lad younger than
the bride.”
It is to Giovanni that we owe the lovely Palazzo Rucellai still
inhabited by the family, which was built by his intimate friend Leon
Battista Alberti, as well as the exquisite loggia opposite. In 1450
the palace was finished, and Neri di Bicci notes in his _Ricordi_: “In
1455 I painted for Giovanni Rucellai in his house five arches of sham
perspective, a coat-of-arms in high relief with a helmet, and two
half-length figures, a lady and a serving-man, in fresco.”
Public-domain text, read in full here on John Shaqi.
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