Baccio Valori, son of Filippo, who perished by the headman’s axe, was
a man of vast culture and a distinguished lawyer. He enlarged the old
palace and collected a magnificent library. In a vellum bound booklet,
beautifully printed in 1604, his son Filippo describes how Baccio,
“after enlarging his house (without departing from the ancient lines),
thought well to decorate it outside with other antiquities befitting
both the land of his birth and himself as a man of letters.” These
antiquities are fifteen busts of illustrious Florentines sculptured
in marble in alto-rilievo, and set upon termini. In the lower row are
Accursio, Torrigiano Rustichelli, surnamed de’ Valori, Marsilio Ficino,
Donato Acciaiuoli, and Pier Vettori. In the alcoves between the first
floor windows are Amerigo Vespucci, Leon Battista Alberti, Francesco
Guicciardini, Marcello Adriano, and Vincenzio Borghini. Above are
Dante, Petraca, Boccaccio, Giovanni della Casa, and Luigi Alamanni. In
the corridor, “as being a more honourable place,” observes Filippo,
were the Archbishop S. Antonino, S. Filippo Neri, Maestro Luigi
Marsili, Lorenzo il Magnifico and Bartolomeo Cavalcanti, and a bust of
Baccio Valori himself--the only one left. From the busts on the façade
the palace is generally known in Florence as the Palazzo de’ Visacci,
or of the Ugly Faces.
Alessandro, the last of the Valori, died in 1687, and his nephew,
Senator Luigi Guicciardini, inherited the palace. In 1703 he bought two
small houses with stables behind, between it and the great Pazzi palace
(pulled down to build the Banca d’Italia), and in 1723 a large house
on the other side. His only daughter, Virginia, married Giovan Gaetano
Altoviti, who incorporated the houses on either side and renovated the
interior of the palace, which then took his name. The ceilings of two
of the rooms were frescoed by pupils of Luca Giordano, and round the
walls of one room are terra-cotta medallions, portraits of the Altoviti
and the Guicciardini. One of them, wearing the well-known Florentine
_lucco_, represents the great historian, Francesco Guicciardini.
Public-domain text, read in full here on John Shaqi.
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