stood at the opposite side of the street in the shade, knocked at
his step-mother’s door. Her maid looked out of the window and asked
who was there, and on his answering _friends_, recognized his voice,
and drew the cord of the latch. Bartolomeo and the assassins rushed
upstairs with such fury that Serzelli and Carlini, who were sitting
with Caterina, suspected some evil thing and, springing to their
feet, fled by another staircase on to the roof, whence they got into
a neighbouring house. Caterina was then murdered by these infamous
executors of the barbarous cruelty of the Duchess, together with her
maid, probably to prevent her giving evidence. After this the bodies of
these two most unfortunate women were cut to pieces, and carried into
a carriage. Parts of the bodies were thrown into a well, others into
the Arno, where they were found the next day, but the head of Caterina
was taken to the Duchess.... On Sundays and holidays she used to send
to the Duke’s room a silver basin covered by a fair cloth, containing
collars, cuffs and such like things. But on this first of January the
present was of a different kind. Taking the head of poor Caterina,
which still preserved the beauty which had been the cause of her death,
Donna Veronica placed it in the basin, covered it with the usual cloth,
and sent it by her waiting-woman, who knew naught of the business, into
the Duke’s room. When he rose and lifted the cloth to take his clean
linen, let his horror be imagined at seeing so pitiful a sight. Knowing
full well that his wife had done this deed, he would have no more of
her, and they say he never was seen to smile again.” The account then
describes how Bartolomeo Canacci was beheaded, while the real assassin,
the Duchess, went unpunished, and ends with the reflection, “Whoso
foregathers with great people is the last at the table and the first at
the gallows.”
The last of the Canacci family died in 1777, and the palace now belongs
to the Commune of Florence.
PALAZZO CANIGIANI
_Via de’ Bardi. Nos. 22, 24._
Public-domain text, read in full here on John Shaqi.
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