At Careggi, Cosimo the elder passed what time he could spare from the
affairs of state, surrounded by a galaxy of artists and men of letters
such as the world has seldom seen. Among the former were Brunelleschi,
Donatello, Michelozzo Michelozzi, Ghiberti, Verrocchio, Paolo Uccello,
Luca della Robbia, Fra Angelico, Fra Filippo Lippi and Masaccio.
Among the latter, Marsilio Ficino, Niccolò de’ Niccoli, Cristofano
Landino, Lionardo Aretino (Bruni), Carlo Aretino (Marsuppini), Poggio
Bracciolini, Ambrogio Traversari and Giannozzo Manetti.
To Ficino Cosimo gave a villa (la Fontanella)[21] close to Careggi,
and named him President of the Platonic Academy which he founded,
having been convinced of the importance of Platonic studies by Giorgius
Gemistus, a native of Byzantium, who came to Florence in 1438 in
the train of the Emperor Palaelogus. Niccolò de’ Niccoli “censor of
the Latin tongue,” as Lionardo Aretino called him, was one of the
Academicians. He spent his whole fortune in buying MSS., and his
house, stored with treasures, was open to all strangers, students and
artists. Cristofano Landino, known for his commentary on Dante, and
Lionardo Aretino (Bruni), Chancellor of the Republic of Florence, were
also Academicians. The translations of the latter from Greek were
celebrated for their sound scholarship and pure latinity, while his
diplomatic letters were regarded as models, and his public speeches
were compared to those of Pericles. When he walked abroad a train of
scholars and foreigners attended him, and when he died the Priors of
Florence decreed him a public funeral in Santa Croce, “after the manner
of the ancients.” Carlo Aretino (Marsuppini), another member of the
Platonic Academy, succeeded Bruni as Chancellor; an omnivorous reader
and possessed of an extraordinary memory, he formed a great contrast to
Niccoli, who had introduced him to Cosimo. Vespasiano describes Niccoli
as “of a most fair presence, lively, with a smile ever on his lips, and
very pleasant in his talk”; whereas Marsuppini was grave in manner,
taciturn, and given to melancholy.
Public-domain text, read in full here on John Shaqi.
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